Cara O'Doherty

Obviously, nobody has the time to watch everything that's out there.

But no, I don't think, a lot of people are saying like, almost 50 years, stick a pin in this thing, it's gone.

Legacies live for a reason.

I mean, I was actually thinking about it in football terms and how people support their teams for 30, 40 years and the good, the bad, the ugly of them.

And yet they still proudly wear their jerseys and swing from the rafters no matter how good or bad their team is doing.

And I think like Star Wars or any big franchise like this, it's the same thing.

True fans will stand by even on those, when those days dip.

I mean, it's still in there.

No.

That is a choice.

But actually, as it happens, in the case of The Devil Wears Prada, when it comes to seeing it on the big screen, it isn't quite as dark as the trailer showed.

So I don't know if they went and did a little bit of magic, if they went into a bit of panic mode or the trailer was possibly cut and sent out sooner.

But in this case, it's actually a lot better on the big screen.

Yes.

So there's kind of five steps to it, which is kind of interesting.

Modern filmmakers, I sound like I'm a hundred, they're modern filmmakers.

The idea is to create things that look more realistic, more moody, more atmospheric.

When we think of older Hollywood films, they were brightly lit.

They were very colorful.

We could see everything.