Georgia Meek

And like even obviously most of the shots are sort of like walking shots down the streets as well.

So it really felt like the circus led by Sophie, Theo and I. It was just like,

We were actually off camera marching through Blackpool, being really loud and causing a scene, which was, I think, probably what made what happened on screen translate so well, because it was genuinely the atmosphere around that video.

We had Faith doing the video.

She was video commissioner and she's done all sorts of things for like Slaves and Nirvana back in the day.

And so we had also this real grunge element.

to it as well it just felt really like women doing things that women aren't supposed to do and that was like a really fun thing about it it was great

Well, I love that.

And you know what?

The thing I've been saying the most frequently in the last couple of months is all ships rise with the tide.

And I think if I can highlight other really incredible things that are happening in the UK and are homegrown and especially somebody like Theo, who I relate to so much because that is

you know, decades of hustle and being overlooked.

Like if I can give people like Theo airtime whilst I'm getting it, I think that's really rewarding, A, for me and B, for him and for everybody else and for British culture.

I mean, come on, we've been so, I feel like we've had such a narrow channel for so long and I refuse normalcy with everything I have always.

And Theo really fits into that kind of, you know, creative that I'm looking to work with all the time.

People are going to be sick of hearing about this from me by the time my album comes out because there's a lot about it on there.

It's impossible, actually.

Like, that's what it feels like and that's what it is.

It's, you know, hitting your head against a wall over and over again.

And we're sort of set up to fail in our country a little bit if you're born into, like, a working-class environment because...