Sean Fennessey

And then, you know, it's almost like sort of a, like a two strangers walk into a bar joke.

It's like, it's a therapist and an architect and they're exploring a mind palace.

You know what I mean?

Like, okay.

Like I, you know, and I think that it being that on the nose as an exploration of the psyche and kind of like what we do with our past and what we don't do, what goes away that we can't see anymore and what,

kind of stays above the surface that like lingers in our memory.

I think he's doing things visually with the storytelling that

That, like, I don't want to overstate this, but I'm like, this is very rare air for a 20-something to be doing.

Sure.

Yeah, of course.

Again, this is probably unfair to him, but talking to him, I was like, this is a little, like, Kubrickian for me.

Where, like, he has really thought through this and has a very mature understanding of what he's accomplishing and doesn't have any arrogance about it.

And he just, like, has an idea.

sees it in his mind, and then wants to put it on screen.

Before he was doing it with software, and now he's doing it with a production designer.

Yeah, they're all from the software, from Blender, yeah.

But you can use that material to envision the world and kind of break the boundaries of our normal world and say like, what if something looked like this?

Yeah.

And then you're able to kind of manifest it visually and then give it to artisans to then build that world and change it.

Right.