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Lit Witches: A Fantasy Book Podcast

Power dynamics, enemies to lovers, and . . . The Lion King? Queer fantasy and the 'Captive Prince' trilogy by C.S. Pacat

13 Apr 2026

Transcription

Transcript generated automatically by AI and may contain errors.

Chapter 1: What is the main topic discussed in this episode?

0.031 - 10.377 Adelaide Jensen

This podcast is recorded and produced on Cammeraygal country. We acknowledge the traditional custodians and the first storytellers of this land and pay our respects to elders past and present.

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10.397 - 17.314 Hannah Armstrong

Well, this is the ultimate enemies to lovers book and it is the book that I judge all other enemies to lovers romances against.

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21.412 - 33.566 Adelaide Jensen

Hello, and a very warm welcome to Lit Witches, the podcast for fantasy readers, writers, and all things in between. I'm your host, Adelaide Jensen, and today I'm joined by Lily Crozier and Hannah Armstrong. Welcome to the podcast.

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33.586 - 34.287 Unknown

Hello. Hi.

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34.907 - 42.096 Adelaide Jensen

You sound very excited to be here. Today's roundtable episode, we'll be talking about the Captive Prince trilogy by C.S.

Chapter 2: What themes are explored in the Captive Prince trilogy?

42.136 - 49.444 Adelaide Jensen

Pacat. And as always, let's start with a little icebreaker. What is your favorite fantasy book to TV or movie adaptation?

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50.183 - 51.124 Lily Crozier

Fantasy book?

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51.385 - 51.605 Adelaide Jensen

Yes.

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51.685 - 54.55 Lily Crozier

I wanted to say Hidden Rivalry until you finished the sentence.

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56.532 - 59.897 Hannah Armstrong

I can't even think of a book to film adaptation of fantasy right now.

59.918 - 65.606 Lily Crozier

I just did it, Hunger Games. Really? That's your favourite one? Probably the third movie.

66.107 - 85.844 Hannah Armstrong

Ooh, controversial. Jonathan Strange and Mr Norrell. It is my favourite book of all time and the adaptation does the book justice and that is a tough call to make. You know, I've never read that book or watched that. I know. I know you haven't. One day you will.

85.905 - 104.556 Adelaide Jensen

One day, Lily, I will finally listen to you and actually listen and actually read that book. All right, well, let's get chatting. The Captive Prince trilogy is a high fantasy political adventure series published back in 2015 by C.S. Pacat, a best-selling Australian author based in Melbourne. It follows the intense enemies-to-lovers journey of Damon and Laurent.

105.036 - 120.775 Adelaide Jensen

Damon becomes a prisoner and slave after his brother violently seizes their father's kingdom of Achilos. He's sent to the land of his enemy, presumed dead in his homeland. His new master, Laurent, Prince of Vere, is a cold, cruel, vicious young man who has his own reasons for wanting Damon dead.

Chapter 3: How did the hosts discover the Captive Prince series?

535.506 - 536.967 Adelaide Jensen

Yes, I vividly remember that show.

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539.21 - 539.95 Unknown

Recommendably.

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539.97 - 558.529 Adelaide Jensen

It's incredibly formative. We can talk about that down there. And I guess it's kind of important to address, which we will go into a little bit more detail later, like this series is quite polarising. It has a representation of a society in which, like Damon is a slave, right? He is actually taken as a pleasure slave. It's a society where there are a huge...

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558.509 - 572.032 Adelaide Jensen

There's a huge class divide between these nobles, these higher ranked people, and then there's a whole class who exist to be slaves and serfs and exist for the pleasure of everyone else. And it's explored in a lot of detail. How do you think that's handled in the book?

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572.313 - 597.566 Hannah Armstrong

I think it's handled well, like personally. I think it's like the story is about Damon realising the issues in his society and realising It's about him seeing the world in a new perspective and then adapting his own society. So it almost serves as like, it serves as an extended metaphor really that's not necessarily exactly about slavery.

597.666 - 619.663 Hannah Armstrong

It's about realising that what you thought is normal and perfectly fine is actually kind of horrendous. And you could apply that to many, many walks of life in regular society. And so I think that it's done in a way that has a lot of nuance and I think it evolves very slowly through the narrative. But in that three book arc, I think it's handled really nicely.

619.963 - 631.374 Adelaide Jensen

I think it's a great point which kind of leads me into what we were going to talk a bit more about, which is about power being like the ultimate theme of this book, the power between the two of them and how it changes in various, very specific, nuanced ways.

631.614 - 648.169 Adelaide Jensen

Because obviously Damon goes from being a prince to being a slave and, as you say very eloquently, kind of realises all that was wrong with the society that he lived in before when he's forced to experience it from a different way. It's so interesting to me the way that's explored, that the way they seize power from each other throughout this really

648.706 - 652.071 Adelaide Jensen

amazing relationship is one of the bits that I loved most about the books.

Chapter 4: How are queer characters represented in the Captive Prince trilogy?

1774.841 - 1792.202 Adelaide Jensen

And now it's just like all being, I mean, everyone's in the book world always talking about like Song of Achilles and everything where, you know, the original historians reading about Achilles and Patroclus were, I've never actually said that line out. I think that's right. Yeah. Patroclus was like, were they just friends? Just like really close friends. Just good pals.

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1792.242 - 1796.427 Adelaide Jensen

Just really great pals who wanted to be buried together.

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1796.527 - 1814.907 Hannah Armstrong

I do love the world building of Captive Prince. Yeah, and I love that, like, it's not just queer normative. Like, in fair, it's, like, flipped on its head. Like, that idea that it's taboo to sleep with someone of the opposite gender outside of marriage, like, that's really interesting to me. It just completely shifts it from, like...

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1814.887 - 1838.43 Hannah Armstrong

It's not just accepted, it's encouraged and it's totally different. And I love the conversation between Laurent and Damon, I think in the late book two or sometime in book three where he's kind of thinking about whether or not he would ever sleep with a woman and the answer is no. But, yeah, it flips all of that on its head and it's just so unlike our society. I love it.

1838.984 - 1857.028 Adelaide Jensen

Yeah, it's so interesting and I loved the historical aspects. But in terms of a fantasy book, the only thing kind of fantasy about it is that the worlds are made up, right? There is no magic. Is that, and in terms of how we talk about often the scale of fantasy, this is much more, I guess, closer to something like Game of Thrones, which is based on historical events.

1857.749 - 1872.417 Adelaide Jensen

Is this, like, I enjoyed that, though, that it was very political. It's much more of a character-driven story, of course, but the politics and the war and everything was really impressive to me, how she she built in these battle strategies and the interest and the intrigue there.

1873.924 - 1893.608 Lily Crozier

Yeah, totally. I think when I'm reading fantasy romanticism now, um, Yeah, it's almost like the magic part. Like if you look at like book three where Laurent is like in that prison cell and there's literally like no way he could ever get out. If that was in like a book where there was magic, he just sort of like found a way to magic himself out.

1893.628 - 1897.593 Lily Crozier

And didn't realise that inside me all along was the power to benefit.

Chapter 5: What are the implications of dark themes in the Captive Prince?

1897.613 - 1904.362 Adelaide Jensen

Exactly. Which, yes, fantasy is often kind of like the way to fix any situation. Sorry, magic is the way to often fix any situation.

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1904.502 - 1907.466 Lily Crozier

I think it kind of raises the stakes as well because like

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1907.446 - 1927.345 Hannah Armstrong

there's really like that like sense of powerlessness and helplessness against his uncle is like there's really not he only has himself in his brain yes and when that fails as well it just makes that so much more intense like when there's just nothing he when his brain can't get him out like yeah I love that that level of desperation that you just can't

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1927.409 - 1932.658 Hannah Armstrong

Yeah, like you said, you can't really achieve when there's a well-built-out magic system that they all can tap into.

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1932.678 - 1949.907 Adelaide Jensen

I think that's what makes it so satisfying to read as well is that he is just so clever and he has such a great long-term strategy brain. So even when things seem like they're going wrong, and sometimes they do, it's not like he gets it right every single time, but just like this, you know, you could really like admire that in a character where you're like, damn, I wish I could.

1949.887 - 1952.309 Adelaide Jensen

have some sort of like political ingenuity.

1952.63 - 1970.568 Lily Crozier

Yeah, he's so smart. And I love that whole like the contrast of him having this big massive brain where he's constantly thinking and feels things very deeply. But he has this like very intense mask where he just, you can tell by like the slightest like twitch of like the corner of his mouth what he's like feeling. Yes. I don't know if that has anything to do with the question.

1970.628 - 1971.569 Lily Crozier

I just really like Laurent.

1971.789 - 1986.693 Hannah Armstrong

No, I was also just thinking about how like it also ties back to the romance as well because it's like he is capable of so much. But then he needs Damon. Like he realises that he can't do it all alone and that's just such an exquisite way to build out a romance as well.

Chapter 6: What is the significance of power dynamics in the story?

2332.661 - 2346.435 Lily Crozier

I think it's like although there are so many complex issues about it and like maybe edging on controversial, it's like I find the relationship between the two of them the way that like consent is represented and like it's very sex positive in that way.

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2346.652 - 2364.223 Hannah Armstrong

Yeah, definitely. And it's like such a, like you can kind of see it's a healing moment for the run as well. Like it's done so, yeah, it's just handled well. And in the short stories as well, have either of you read Summer Palace? Yes. Yeah, I've read that one, yeah.

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2364.243 - 2374.768 Hannah Armstrong

It feels like, yeah, really nice kind of wrapping up of their story in a romantic way that couldn't have pulled into the original trilogy to, like, end it as well as it had. It was really nice to let on. It's just like a beautiful epilogue.

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2375.109 - 2377.835 Lily Crozier

Yes, really nice epilogue. Add it to the list, Lily.

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2378.156 - 2378.858 Hannah Armstrong

Yes, you shall.

2378.878 - 2380.742 Lily Crozier

I think it's only available in E.

2380.722 - 2402.41 Adelaide Jensen

yeah but highly recommend yeah all right sweet you need to do something about that clearly and on that note i think that kind of wraps up our general book chat i've had so much fun talking about the captive prince yay and who knew there'd still be so much to say i guess about something that is like has been out for so long but it's still relevant it's having its moment and truly if you have not experienced these books you should because they are

2403.031 - 2420.117 Adelaide Jensen

Amazing. Amazing. And just like a masterclass in writing fantasy, I think. Especially enemies to lovers. Especially enemies to lovers. All right. We're going to finish up with a quickfire game of my choosing. I'm going to read out. We're going to have three different quotes from books, and I want you two to guess what book they're from. The first one.

2420.678 - 2422.201 Adelaide Jensen

I need to deliver this in a really dramatic fashion.

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