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Amanda Petrusich

đŸ‘€ Person
60 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

You know, like onzra, which is a borough word for a kind of doomed love, or the Arabic word ya'aberni, which you define as not wanting to live in a world without someone. Yeah. I mean, these are words that do sort of attempt maybe to kind of contain the complexity of human experience.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

You know, like onzra, which is a borough word for a kind of doomed love, or the Arabic word ya'aberni, which you define as not wanting to live in a world without someone. Yeah. I mean, these are words that do sort of attempt maybe to kind of contain the complexity of human experience.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Well, this leads me to ask, are there some feelings that are more easily evoked by sound? I mean, we know anger is a big one. Are there any feelings that are maybe particularly difficult to tap into? On that end, I think contentment or boredom are maybe a little bit harder to translate into sound than rage or lust.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Well, this leads me to ask, are there some feelings that are more easily evoked by sound? I mean, we know anger is a big one. Are there any feelings that are maybe particularly difficult to tap into? On that end, I think contentment or boredom are maybe a little bit harder to translate into sound than rage or lust.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Well, this leads me to ask, are there some feelings that are more easily evoked by sound? I mean, we know anger is a big one. Are there any feelings that are maybe particularly difficult to tap into? On that end, I think contentment or boredom are maybe a little bit harder to translate into sound than rage or lust.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

I love that. You know, and boredom feels like a kind of endangered resource. But I think you're right. It is such a generative experience if you can surrender to it.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

I love that. You know, and boredom feels like a kind of endangered resource. But I think you're right. It is such a generative experience if you can surrender to it.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

I love that. You know, and boredom feels like a kind of endangered resource. But I think you're right. It is such a generative experience if you can surrender to it.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Speaking of restricting our inputs, I wanted to ask you about the decision to stop traveling by airplane as a form of climate protest. Can you talk a little bit more about that choice?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Speaking of restricting our inputs, I wanted to ask you about the decision to stop traveling by airplane as a form of climate protest. Can you talk a little bit more about that choice?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Speaking of restricting our inputs, I wanted to ask you about the decision to stop traveling by airplane as a form of climate protest. Can you talk a little bit more about that choice?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Is there a particular place or perhaps places that you miss or things that have maybe made the choice challenging to uphold?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Is there a particular place or perhaps places that you miss or things that have maybe made the choice challenging to uphold?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Is there a particular place or perhaps places that you miss or things that have maybe made the choice challenging to uphold?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

I'm curious if you try to sort of keep, in terms of your climate activism, if it's a balance in terms of allowing it to kind of manifest in your creative work, it's present in the music you make, and then also present in your personal life and, you know, choices about travel or sort of how you live, how your house is set up. Do you try to keep those two things in balance?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

I'm curious if you try to sort of keep, in terms of your climate activism, if it's a balance in terms of allowing it to kind of manifest in your creative work, it's present in the music you make, and then also present in your personal life and, you know, choices about travel or sort of how you live, how your house is set up. Do you try to keep those two things in balance?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

I'm curious if you try to sort of keep, in terms of your climate activism, if it's a balance in terms of allowing it to kind of manifest in your creative work, it's present in the music you make, and then also present in your personal life and, you know, choices about travel or sort of how you live, how your house is set up. Do you try to keep those two things in balance?

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Brian, I just want to thank you so much for speaking with me. It's been so wonderful talking with you. I appreciate it deeply.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Brian, I just want to thank you so much for speaking with me. It's been so wonderful talking with you. I appreciate it deeply.

The New Yorker Radio Hour
Brian Eno Knows “What Art Does”

Brian, I just want to thank you so much for speaking with me. It's been so wonderful talking with you. I appreciate it deeply.

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