Andrea Canning

And when you're lucky, you make art. And this is a piece of our interview, a little more about her experience drawing Sean Combs' federal trial over the past month. When you're drawing them, are you just trying to get it right, like as close as you can? Or are you trying to capture more of a feeling? Can you describe that?

And when you're lucky, you make art. And this is a piece of our interview, a little more about her experience drawing Sean Combs' federal trial over the past month. When you're drawing them, are you just trying to get it right, like as close as you can? Or are you trying to capture more of a feeling? Can you describe that?

Yeah. So you're trying to capture also some personality there then as well, state of mind.

Yeah. So you're trying to capture also some personality there then as well, state of mind.

Yeah. So you're trying to capture also some personality there then as well, state of mind.

You know, not only are you drawing the defendant, but you're also capturing other things in the courtroom as well. The judge or there's the lawyers or the jury. Obviously, you can't show the jury, but...

You know, not only are you drawing the defendant, but you're also capturing other things in the courtroom as well. The judge or there's the lawyers or the jury. Obviously, you can't show the jury, but...

You know, not only are you drawing the defendant, but you're also capturing other things in the courtroom as well. The judge or there's the lawyers or the jury. Obviously, you can't show the jury, but...

Given that Mia is not her real name, pseudonym, were you allowed to shoot even her bent over? I drew a triangle that was the color of her skin with her hair falling across her face. Mm-hmm. This is all fascinating. You know, there are times where we know that sketch artists get critical feedback sometimes.

Given that Mia is not her real name, pseudonym, were you allowed to shoot even her bent over? I drew a triangle that was the color of her skin with her hair falling across her face. Mm-hmm. This is all fascinating. You know, there are times where we know that sketch artists get critical feedback sometimes.

Given that Mia is not her real name, pseudonym, were you allowed to shoot even her bent over? I drew a triangle that was the color of her skin with her hair falling across her face. Mm-hmm. This is all fascinating. You know, there are times where we know that sketch artists get critical feedback sometimes.

Oh, my goodness. Well, thank you so much for doing this interview. You're a sweetheart. Thank you. Oh, thanks. Just super interesting. If you want to take a look at some of Christine's sketches, you can find them on our website at dateline truecrimeweekly.com. Chloe, back with you. Thank you so much, as always, for bringing us all your color from the courthouse and the courtroom. Thanks, Andrea.

Oh, my goodness. Well, thank you so much for doing this interview. You're a sweetheart. Thank you. Oh, thanks. Just super interesting. If you want to take a look at some of Christine's sketches, you can find them on our website at dateline truecrimeweekly.com. Chloe, back with you. Thank you so much, as always, for bringing us all your color from the courthouse and the courtroom. Thanks, Andrea.

Oh, my goodness. Well, thank you so much for doing this interview. You're a sweetheart. Thank you. Oh, thanks. Just super interesting. If you want to take a look at some of Christine's sketches, you can find them on our website at dateline truecrimeweekly.com. Chloe, back with you. Thank you so much, as always, for bringing us all your color from the courthouse and the courtroom. Thanks, Andrea.

Thank you for listening, everyone. We'll be back with a new episode tomorrow. If you want to read the latest developments and analysis from inside the courtroom, check out the NBC newsletter, Diddy on Trial. Go to NBCNews.com slash Diddy to find that. On Trial is produced by Frannie Kelly with help from the Dateline True Crime Weekly team.

Thank you for listening, everyone. We'll be back with a new episode tomorrow. If you want to read the latest developments and analysis from inside the courtroom, check out the NBC newsletter, Diddy on Trial. Go to NBCNews.com slash Diddy to find that. On Trial is produced by Frannie Kelly with help from the Dateline True Crime Weekly team.

Thank you for listening, everyone. We'll be back with a new episode tomorrow. If you want to read the latest developments and analysis from inside the courtroom, check out the NBC newsletter, Diddy on Trial. Go to NBCNews.com slash Diddy to find that. On Trial is produced by Frannie Kelly with help from the Dateline True Crime Weekly team.

Our senior producers are Allison Orr and Liz Brown-Kurloff. Original music by Jesse McGinty. Paul Ryan is executive producer and Liz Cole is senior executive producer of Dateline.

Our senior producers are Allison Orr and Liz Brown-Kurloff. Original music by Jesse McGinty. Paul Ryan is executive producer and Liz Cole is senior executive producer of Dateline.

Our senior producers are Allison Orr and Liz Brown-Kurloff. Original music by Jesse McGinty. Paul Ryan is executive producer and Liz Cole is senior executive producer of Dateline.