Andrew Callaghan

I would say Beale Street in Memphis, but it's not good. Oh, yeah. I mean, Beale Street is like... The median age is too high on Beale Street for anyone to yell about ass.

I would say Beale Street in Memphis, but it's not good. Oh, yeah. I mean, Beale Street is like... The median age is too high on Beale Street for anyone to yell about ass.

I would say Beale Street in Memphis, but it's not good. Oh, yeah. I mean, Beale Street is like... The median age is too high on Beale Street for anyone to yell about ass.

I guess before, especially it used to be like deadpan. Now I would describe it as more directed, but still relatively affable, agreeable, deadpan interview style.

I guess before, especially it used to be like deadpan. Now I would describe it as more directed, but still relatively affable, agreeable, deadpan interview style.

I guess before, especially it used to be like deadpan. Now I would describe it as more directed, but still relatively affable, agreeable, deadpan interview style.

And that's intentional.

And that's intentional.

And that's intentional.

I used to look at the camera like Jim from The Office back in the day. Yeah. I don't do that anymore. What about the editing? How do you think about the editing? I still do most of it, but Susan helps a lot too. It's my associate. Yeah, the editing style. Like I said, we pioneered this editing style that honestly was inspired a bit by like Vic Berger, but we took it to real life. Crash zooms.

I used to look at the camera like Jim from The Office back in the day. Yeah. I don't do that anymore. What about the editing? How do you think about the editing? I still do most of it, but Susan helps a lot too. It's my associate. Yeah, the editing style. Like I said, we pioneered this editing style that honestly was inspired a bit by like Vic Berger, but we took it to real life. Crash zooms.

I used to look at the camera like Jim from The Office back in the day. Yeah. I don't do that anymore. What about the editing? How do you think about the editing? I still do most of it, but Susan helps a lot too. It's my associate. Yeah, the editing style. Like I said, we pioneered this editing style that honestly was inspired a bit by like Vic Berger, but we took it to real life. Crash zooms.

kind of chopping up vocals a bit to add comedic timing where it didn't necessarily exist like you might add two seconds of awkward silence that are built with room tone or you might make everything really fast by cutting silence and switching frames i mean switching camera angles but now we try to be pretty straightforward because we want to be taken more seriously you know

kind of chopping up vocals a bit to add comedic timing where it didn't necessarily exist like you might add two seconds of awkward silence that are built with room tone or you might make everything really fast by cutting silence and switching frames i mean switching camera angles but now we try to be pretty straightforward because we want to be taken more seriously you know

kind of chopping up vocals a bit to add comedic timing where it didn't necessarily exist like you might add two seconds of awkward silence that are built with room tone or you might make everything really fast by cutting silence and switching frames i mean switching camera angles but now we try to be pretty straightforward because we want to be taken more seriously you know

A crash zoom is when it's artificial zoom that you might add in Adobe Premiere where the camera zooms in on someone's face. Where the resolution is not there. The resolution is not there. Unless you have a Blackmagic cinema camera. Which you don't. We don't use those.

A crash zoom is when it's artificial zoom that you might add in Adobe Premiere where the camera zooms in on someone's face. Where the resolution is not there. The resolution is not there. Unless you have a Blackmagic cinema camera. Which you don't. We don't use those.

A crash zoom is when it's artificial zoom that you might add in Adobe Premiere where the camera zooms in on someone's face. Where the resolution is not there. The resolution is not there. Unless you have a Blackmagic cinema camera. Which you don't. We don't use those.

And you also do voiceover storytelling. I think the first time I really did that was in the San Francisco Streets video. Because there's so much content about San Francisco, homelessness, tenderloin shoplifting. But there's not that much...

And you also do voiceover storytelling. I think the first time I really did that was in the San Francisco Streets video. Because there's so much content about San Francisco, homelessness, tenderloin shoplifting. But there's not that much...