Brian Eno

What really matters is the exact texture of sound, the exact type of distortion, the exact type of compression. I think that's very much what ambient music was built on, the notion that there was this new way of composing.

What really matters is the exact texture of sound, the exact type of distortion, the exact type of compression. I think that's very much what ambient music was built on, the notion that there was this new way of composing.

What really matters is the exact texture of sound, the exact type of distortion, the exact type of compression. I think that's very much what ambient music was built on, the notion that there was this new way of composing.

There's a nice German one. It's probably my favorite and something I think I feel quite often, which is called Turchlusspanik, which means door-shutting panic. So it's that feeling you've got that you're trying to get something done and the door is closing and you're not going to get there quite in time to ever do it. It's a terrible feeling. Brutal.

There's a nice German one. It's probably my favorite and something I think I feel quite often, which is called Turchlusspanik, which means door-shutting panic. So it's that feeling you've got that you're trying to get something done and the door is closing and you're not going to get there quite in time to ever do it. It's a terrible feeling. Brutal.

There's a nice German one. It's probably my favorite and something I think I feel quite often, which is called Turchlusspanik, which means door-shutting panic. So it's that feeling you've got that you're trying to get something done and the door is closing and you're not going to get there quite in time to ever do it. It's a terrible feeling. Brutal.

Yes. The feelings that I think are very, very easy to locate in sound are sort of melancholy and the sparkle of new life. I often hear those things in sound. I have never yet, I don't think, heard anything that captured the feeling of boredom. And I'm disappointed in that because there's a great line in the Tibetan... leader Chögyam Trungpa's book where he said we should

Yes. The feelings that I think are very, very easy to locate in sound are sort of melancholy and the sparkle of new life. I often hear those things in sound. I have never yet, I don't think, heard anything that captured the feeling of boredom. And I'm disappointed in that because there's a great line in the Tibetan... leader Chögyam Trungpa's book where he said we should

Yes. The feelings that I think are very, very easy to locate in sound are sort of melancholy and the sparkle of new life. I often hear those things in sound. I have never yet, I don't think, heard anything that captured the feeling of boredom. And I'm disappointed in that because there's a great line in the Tibetan... leader Chögyam Trungpa's book where he said we should

rush forward into boredom and disappointment. And I've tried to do that, but I don't think I've succeeded yet. I like this idea that those might be places where you can learn something unique. I mean, I do think boredom is very important. If you keep throwing, getting boredom out of the way by distracting yourself with Wordle or

rush forward into boredom and disappointment. And I've tried to do that, but I don't think I've succeeded yet. I like this idea that those might be places where you can learn something unique. I mean, I do think boredom is very important. If you keep throwing, getting boredom out of the way by distracting yourself with Wordle or

rush forward into boredom and disappointment. And I've tried to do that, but I don't think I've succeeded yet. I like this idea that those might be places where you can learn something unique. I mean, I do think boredom is very important. If you keep throwing, getting boredom out of the way by distracting yourself with Wordle or

whatever else you distract yourself with, you lose the possibility of your threshold of interest falling so low that you can notice a tiny thing.

whatever else you distract yourself with, you lose the possibility of your threshold of interest falling so low that you can notice a tiny thing.

whatever else you distract yourself with, you lose the possibility of your threshold of interest falling so low that you can notice a tiny thing.

I try to do things because I want to do them, not because they're just a little tiny bit better than sitting looking at the wall. I really try to now just sit and look at the wall. If you don't provide input...

I try to do things because I want to do them, not because they're just a little tiny bit better than sitting looking at the wall. I really try to now just sit and look at the wall. If you don't provide input...

I try to do things because I want to do them, not because they're just a little tiny bit better than sitting looking at the wall. I really try to now just sit and look at the wall. If you don't provide input...

If you want things to come up from inside you, all of the accumulated knowledge and information and experience that you have, if you want that to manifest itself, you have to stop trying to stuff more stuff in at that moment. You have to give it space to come up. You can't do both things at once, I think.

If you want things to come up from inside you, all of the accumulated knowledge and information and experience that you have, if you want that to manifest itself, you have to stop trying to stuff more stuff in at that moment. You have to give it space to come up. You can't do both things at once, I think.