Dichen Lachman

And it was at the very end, and spring was coming, and the leaves were on the trees.

I mean, it had that kind of feeling of that starkness and that beauty and gives it this unique quality that was very important because this is the only time we're ever really seeing Mark and Gemma's relationship in the past.

I mean, it had that kind of feeling of that starkness and that beauty and gives it this unique quality that was very important because this is the only time we're ever really seeing Mark and Gemma's relationship in the past.

I mean, it had that kind of feeling of that starkness and that beauty and gives it this unique quality that was very important because this is the only time we're ever really seeing Mark and Gemma's relationship in the past.

Yeah. And a different time, you know, I also thought, you know, just in terms of visual storytelling, you know, how you blocked and came up with even the scene where Mark's sitting alone and the police come up, you know, what a tough scene to have to figure out how to shoot.

Yeah. And a different time, you know, I also thought, you know, just in terms of visual storytelling, you know, how you blocked and came up with even the scene where Mark's sitting alone and the police come up, you know, what a tough scene to have to figure out how to shoot.

Yeah. And a different time, you know, I also thought, you know, just in terms of visual storytelling, you know, how you blocked and came up with even the scene where Mark's sitting alone and the police come up, you know, what a tough scene to have to figure out how to shoot.

Cause it's a scene we've seen a million times in movies and TV shows and not have it seem cheesy or cliche and the way that you did it with no dialogue. Just seeing the police taking their hats off.

Cause it's a scene we've seen a million times in movies and TV shows and not have it seem cheesy or cliche and the way that you did it with no dialogue. Just seeing the police taking their hats off.

Cause it's a scene we've seen a million times in movies and TV shows and not have it seem cheesy or cliche and the way that you did it with no dialogue. Just seeing the police taking their hats off.

Yeah, for sure. I mean, it's a combination of these visuals that are very technically, you know, kind of crazy to pull off. And also just this pure, simple emotion. The shot going down through the center console down to the testing floor, that was one of your little sort of... Side projects?

Yeah, for sure. I mean, it's a combination of these visuals that are very technically, you know, kind of crazy to pull off. And also just this pure, simple emotion. The shot going down through the center console down to the testing floor, that was one of your little sort of... Side projects?

Yeah, for sure. I mean, it's a combination of these visuals that are very technically, you know, kind of crazy to pull off. And also just this pure, simple emotion. The shot going down through the center console down to the testing floor, that was one of your little sort of... Side projects?

I mean, we could get into the rain on Mark.

I mean, we could get into the rain on Mark.

I mean, we could get into the rain on Mark.

And the way you use it in that shot where you see the light, you hear the footsteps. but you don't see the person is very specific and I think really cool.

And the way you use it in that shot where you see the light, you hear the footsteps. but you don't see the person is very specific and I think really cool.

And the way you use it in that shot where you see the light, you hear the footsteps. but you don't see the person is very specific and I think really cool.