Guest: David Leitch

And I think when people think stunts, they're like, what are you going to give the stunt to the, you're going to give the award to the performer? Are you going to give the award to the person that rigged the stunt? And it's like, no, we're going to give it to the stunt coordinator, the department head. the tradition is you give it to the designer.

And I think when people think stunts, they're like, what are you going to give the stunt to the, you're going to give the award to the performer? Are you going to give the award to the person that rigged the stunt? And it's like, no, we're going to give it to the stunt coordinator, the department head. the tradition is you give it to the designer.

And so we rebranded our credit on the Fall Guy, and this was Kelly's idea, to Stunt Designer. And Chris O'Hara, the stunt coordinator on that, Kelly went to the guilds. She got it approved by the WGA and the DGA, I'm sorry, the DGA and SAG. And it was like, we got the credit Stunt Designer. And that was sort of the first-

And so we rebranded our credit on the Fall Guy, and this was Kelly's idea, to Stunt Designer. And Chris O'Hara, the stunt coordinator on that, Kelly went to the guilds. She got it approved by the WGA and the DGA, I'm sorry, the DGA and SAG. And it was like, we got the credit Stunt Designer. And that was sort of the first-

And so we rebranded our credit on the Fall Guy, and this was Kelly's idea, to Stunt Designer. And Chris O'Hara, the stunt coordinator on that, Kelly went to the guilds. She got it approved by the WGA and the DGA, I'm sorry, the DGA and SAG. And it was like, we got the credit Stunt Designer. And that was sort of the first-

Well, it's going to be two years. I think that's kind of like we have some internal things to do in terms of how it's going to be awarded. And they want to do it on the 100th anniversary.

Well, it's going to be two years. I think that's kind of like we have some internal things to do in terms of how it's going to be awarded. And they want to do it on the 100th anniversary.

Well, it's going to be two years. I think that's kind of like we have some internal things to do in terms of how it's going to be awarded. And they want to do it on the 100th anniversary.

I think it's all open for discussion and really wasn't what we voted on this time around. But it's exciting. Like, look, I think it's long overdue. And I was happy to be instrumental inside the Academy, like really getting on the Zooms with all the governors I could and like really canvassing it. And then, you know, for our final vote, I curated a...

I think it's all open for discussion and really wasn't what we voted on this time around. But it's exciting. Like, look, I think it's long overdue. And I was happy to be instrumental inside the Academy, like really getting on the Zooms with all the governors I could and like really canvassing it. And then, you know, for our final vote, I curated a...

I think it's all open for discussion and really wasn't what we voted on this time around. But it's exciting. Like, look, I think it's long overdue. And I was happy to be instrumental inside the Academy, like really getting on the Zooms with all the governors I could and like really canvassing it. And then, you know, for our final vote, I curated a...

a video presentation with a lot of director friends, celebrity friends that were really advocates.

a video presentation with a lot of director friends, celebrity friends that were really advocates.

a video presentation with a lot of director friends, celebrity friends that were really advocates.

Well, that's a great, that's a great, we can explain what bump means in the stunt world.

Well, that's a great, that's a great, we can explain what bump means in the stunt world.

Well, that's a great, that's a great, we can explain what bump means in the stunt world.

So every time, yeah. Well, in the 80s, it meant two things, I'm sure. It probably meant one, like, how am I going to get ready? And two, how am I going to get paid? But it's really, it's called the stunt adjustment and you get money for each time you do something that's dangerous. And that's sort of, it's decided by the stunt coordinator and production and like sort of agreed upon.

So every time, yeah. Well, in the 80s, it meant two things, I'm sure. It probably meant one, like, how am I going to get ready? And two, how am I going to get paid? But it's really, it's called the stunt adjustment and you get money for each time you do something that's dangerous. And that's sort of, it's decided by the stunt coordinator and production and like sort of agreed upon.

So every time, yeah. Well, in the 80s, it meant two things, I'm sure. It probably meant one, like, how am I going to get ready? And two, how am I going to get paid? But it's really, it's called the stunt adjustment and you get money for each time you do something that's dangerous. And that's sort of, it's decided by the stunt coordinator and production and like sort of agreed upon.