Imani Perry

Yeah.

Yeah.

Yes.

Yes.

Yes.

Yeah. And the Congo, you know, it's... Oh, the repetition is so painful. You know, the people of the Congo die at extraordinary rates for us to have these phones and these computers. And, of course, for African Americans, so much of our culture comes from the Congo culture.

Yeah. And the Congo, you know, it's... Oh, the repetition is so painful. You know, the people of the Congo die at extraordinary rates for us to have these phones and these computers. And, of course, for African Americans, so much of our culture comes from the Congo culture.

Yeah. And the Congo, you know, it's... Oh, the repetition is so painful. You know, the people of the Congo die at extraordinary rates for us to have these phones and these computers. And, of course, for African Americans, so much of our culture comes from the Congo culture.

Historically, we have, you know, much of the sort of blended culture that we have in the United States or in the Americas is derived from the root of Congo culture. And so

Historically, we have, you know, much of the sort of blended culture that we have in the United States or in the Americas is derived from the root of Congo culture. And so

Historically, we have, you know, much of the sort of blended culture that we have in the United States or in the Americas is derived from the root of Congo culture. And so

It becomes part of the story, you know, that the story moves in multiple directions, but there is a repetition of suffering and, of course, also a repetition of people trying to figure out how not only to make do but to live in profound and meaningful ways.

It becomes part of the story, you know, that the story moves in multiple directions, but there is a repetition of suffering and, of course, also a repetition of people trying to figure out how not only to make do but to live in profound and meaningful ways.

It becomes part of the story, you know, that the story moves in multiple directions, but there is a repetition of suffering and, of course, also a repetition of people trying to figure out how not only to make do but to live in profound and meaningful ways.

Oh, you know, it's hard. I mean, when we talk about the difficulty of writing, we often talk about the crafting of sentences, which is, of course, hard, and the putting together structure. But there's also the emotional component. You actually, I think, do or you should try to grasp

Oh, you know, it's hard. I mean, when we talk about the difficulty of writing, we often talk about the crafting of sentences, which is, of course, hard, and the putting together structure. But there's also the emotional component. You actually, I think, do or you should try to grasp

Oh, you know, it's hard. I mean, when we talk about the difficulty of writing, we often talk about the crafting of sentences, which is, of course, hard, and the putting together structure. But there's also the emotional component. You actually, I think, do or you should try to grasp

Of course, I fail, but try to grasp what it was to be snatched from everything, you know, to be thrown into the hold of a ship in unbelievably horrifying conditions, chained together, sometimes chained to people who... We're dead. And so, and of course that meant a kind of disorientation that is nearly unfathomable.

Of course, I fail, but try to grasp what it was to be snatched from everything, you know, to be thrown into the hold of a ship in unbelievably horrifying conditions, chained together, sometimes chained to people who... We're dead. And so, and of course that meant a kind of disorientation that is nearly unfathomable.

Of course, I fail, but try to grasp what it was to be snatched from everything, you know, to be thrown into the hold of a ship in unbelievably horrifying conditions, chained together, sometimes chained to people who... We're dead. And so, and of course that meant a kind of disorientation that is nearly unfathomable.