Jerron Paxton

Well, I think... My approach to music in general, not just to guitar, but to all the instruments I play, is to get the most out of them I can. That's the guitar, the banjo, the harmonica, all these things.

Everything I like about those instruments, and especially the piano, is that in the style of music I was steeped in and brought up in, which is mostly the world of country blues, there was this magical thing that would happen all where one musician would sit down and create this beautiful world where nothing was missing. You didn't need basses or drums or a second musician or anything.

Everything I like about those instruments, and especially the piano, is that in the style of music I was steeped in and brought up in, which is mostly the world of country blues, there was this magical thing that would happen all where one musician would sit down and create this beautiful world where nothing was missing. You didn't need basses or drums or a second musician or anything.

Everything I like about those instruments, and especially the piano, is that in the style of music I was steeped in and brought up in, which is mostly the world of country blues, there was this magical thing that would happen all where one musician would sit down and create this beautiful world where nothing was missing. You didn't need basses or drums or a second musician or anything.

They just sit down with their fingers and their instruments and their voice and create this world where nothing was missing. So that's the approach I took to all my instruments, and especially the guitar, because that was the world that I was surrounded by. Just having that access to that real full sound is something I want to maintain.

They just sit down with their fingers and their instruments and their voice and create this world where nothing was missing. So that's the approach I took to all my instruments, and especially the guitar, because that was the world that I was surrounded by. Just having that access to that real full sound is something I want to maintain.

They just sit down with their fingers and their instruments and their voice and create this world where nothing was missing. So that's the approach I took to all my instruments, and especially the guitar, because that was the world that I was surrounded by. Just having that access to that real full sound is something I want to maintain.

And I don't know, I think that's probably the biggest contribution, why I remain one of the few soloists out there. There's not too many people who can hold an audience's attention for, you know, two one-hour sets with just one person on stage and their instruments. But my audience has never seemed to be disappointed.

And I don't know, I think that's probably the biggest contribution, why I remain one of the few soloists out there. There's not too many people who can hold an audience's attention for, you know, two one-hour sets with just one person on stage and their instruments. But my audience has never seemed to be disappointed.

And I don't know, I think that's probably the biggest contribution, why I remain one of the few soloists out there. There's not too many people who can hold an audience's attention for, you know, two one-hour sets with just one person on stage and their instruments. But my audience has never seemed to be disappointed.

Oh, yeah, this is the cheapest guitar that Gibson made. It cost $4.95 when it was for sale, a little Kalamazoo.

Oh, yeah, this is the cheapest guitar that Gibson made. It cost $4.95 when it was for sale, a little Kalamazoo.

Oh, yeah, this is the cheapest guitar that Gibson made. It cost $4.95 when it was for sale, a little Kalamazoo.

Is it about 100 years old? I think it's from 28, 29.

Is it about 100 years old? I think it's from 28, 29.

Is it about 100 years old? I think it's from 28, 29.

All right, all right. I got you there. I got you there. All right. Well, when you want that nice full sound out of the guitar, you've got to have a nice little rhythm behind you, and that could be just about anything. Let's try this one. That's the rhythm of the song. So now you have this nice accompaniment.

All right, all right. I got you there. I got you there. All right. Well, when you want that nice full sound out of the guitar, you've got to have a nice little rhythm behind you, and that could be just about anything. Let's try this one. That's the rhythm of the song. So now you have this nice accompaniment.

All right, all right. I got you there. I got you there. All right. Well, when you want that nice full sound out of the guitar, you've got to have a nice little rhythm behind you, and that could be just about anything. Let's try this one. That's the rhythm of the song. So now you have this nice accompaniment.

back up anything you want and then you've got your voice which you can lay on top of it which i ain't doing nothing now but talking but you also got some fingers that you can play with too and give the guitar a nice little voice