Jesse David Fox

Ich glaube, es ist nicht ein Problem. Die größten Komedien der Welt sagen generell, was sie versuchen zu sagen. Und wenn sie nicht den Publikum an Bord bringen können, dann ist das nicht die Schuld des Publikums. Der Job des Komedien ist es, herauszufinden, wie man kommunizieren kann, was sie sagen wollen, in einer Art und Weise, in der der Publikum es bekommen wird.

Wenn du es in einer Art und Weise sagst und der Publikum es nicht bekommt, dann ist das ein Fehler, den Job des Kommunikationen zu machen, den Job als Künstler zu machen.

Wenn du es in einer Art und Weise sagst und der Publikum es nicht bekommt, dann ist das ein Fehler, den Job des Kommunikationen zu machen, den Job als Künstler zu machen.

Wenn du es in einer Art und Weise sagst und der Publikum es nicht bekommt, dann ist das ein Fehler, den Job des Kommunikationen zu machen, den Job als Künstler zu machen.

Normalerweise hat der Comedy-Boom, der in den 80er-Jahren geflogen ist, in der Mitte der 90er-Jahre geflogen. Und es gibt verschiedene Gründe dafür. Es gab viele Comedy-Clubs, die nicht unbedingt die höchsten Standards hatten, in Bezug auf die, die sie auf der Bühne stellten.

Normalerweise hat der Comedy-Boom, der in den 80er-Jahren geflogen ist, in der Mitte der 90er-Jahre geflogen. Und es gibt verschiedene Gründe dafür. Es gab viele Comedy-Clubs, die nicht unbedingt die höchsten Standards hatten, in Bezug auf die, die sie auf der Bühne stellten.

Normalerweise hat der Comedy-Boom, der in den 80er-Jahren geflogen ist, in der Mitte der 90er-Jahre geflogen. Und es gibt verschiedene Gründe dafür. Es gab viele Comedy-Clubs, die nicht unbedingt die höchsten Standards hatten, in Bezug auf die, die sie auf der Bühne stellten.

Und es gab einen Publikum, der einfach nur an die Comedy-Clubs ging, weil Comedy eine neue, heiße Sache war, um an Comedy-Clubs zu gehen. The Comedy Club was still a fairly recent phenomenon. So that sort of petered out. And then through the course of the 90s and the aughts, a new type of relationship was being developed between the comedian and the audience.

Und es gab einen Publikum, der einfach nur an die Comedy-Clubs ging, weil Comedy eine neue, heiße Sache war, um an Comedy-Clubs zu gehen. The Comedy Club was still a fairly recent phenomenon. So that sort of petered out. And then through the course of the 90s and the aughts, a new type of relationship was being developed between the comedian and the audience.

Und es gab einen Publikum, der einfach nur an die Comedy-Clubs ging, weil Comedy eine neue, heiße Sache war, um an Comedy-Clubs zu gehen. The Comedy Club was still a fairly recent phenomenon. So that sort of petered out. And then through the course of the 90s and the aughts, a new type of relationship was being developed between the comedian and the audience.

And then that was supercharged by podcasting and social media, which is... more and more audiences are going to see a comedian they want to see. They are not just going to consume comedy because it's Friday night. And they're not just going to consume comedy because they're home from work and they want to laugh, so they'll just put on Comedy Central and whatever is there, they'll watch.

And then that was supercharged by podcasting and social media, which is... more and more audiences are going to see a comedian they want to see. They are not just going to consume comedy because it's Friday night. And they're not just going to consume comedy because they're home from work and they want to laugh, so they'll just put on Comedy Central and whatever is there, they'll watch.

And then that was supercharged by podcasting and social media, which is... more and more audiences are going to see a comedian they want to see. They are not just going to consume comedy because it's Friday night. And they're not just going to consume comedy because they're home from work and they want to laugh, so they'll just put on Comedy Central and whatever is there, they'll watch.

And instead, you have something which is more, you're going to see specific people do a specific type of comedy that you already like. And you have already become invested into them as a comedian. You're already familiar with your work. You've been following how their tour has developed on social media in one way or the other.

And instead, you have something which is more, you're going to see specific people do a specific type of comedy that you already like. And you have already become invested into them as a comedian. You're already familiar with your work. You've been following how their tour has developed on social media in one way or the other.

And instead, you have something which is more, you're going to see specific people do a specific type of comedy that you already like. And you have already become invested into them as a comedian. You're already familiar with your work. You've been following how their tour has developed on social media in one way or the other.

And it's been huge for Comedy Clubs because Comedy Clubs were really kind of just passively hoping people would just show up because it's Friday night and they wanted to see comedy. Or more so, Comedy Clubs were reliant on giving away free tickets to

And it's been huge for Comedy Clubs because Comedy Clubs were really kind of just passively hoping people would just show up because it's Friday night and they wanted to see comedy. Or more so, Comedy Clubs were reliant on giving away free tickets to

And it's been huge for Comedy Clubs because Comedy Clubs were really kind of just passively hoping people would just show up because it's Friday night and they wanted to see comedy. Or more so, Comedy Clubs were reliant on giving away free tickets to

in Spaces near them, hoping people will show up and then buy alcohol, not caring about ticket sales and not caring about if the comedian has a good experience. So it's been really exciting because you're having comedy fans in a different way that has ever existed. And it's been really great for the business. And then you see it grow and grow to a point where, you know, before 1995,