Kristen Davis

She's throwing out her bills. Very adorable. She says, you know, the voiceover is back and looking at the camera is back, which is interesting because I thought that we already lost it. But no, it's back. So, again, this is something that I remember from the beginning. It seemed week to week that we didn't really know who we were as a show.

She's throwing out her bills. Very adorable. She says, you know, the voiceover is back and looking at the camera is back, which is interesting because I thought that we already lost it. But no, it's back. So, again, this is something that I remember from the beginning. It seemed week to week that we didn't really know who we were as a show.

You know, so sometimes when you're watching these episodes, things flip back and forth and you're like, oh, right. We didn't know. Like, was it gone? Was the talking to camera gone? No, no, it's not gone. It's back. So whatever was going on with that is interesting. So she says in her voiceover that she envies Amelita.

You know, so sometimes when you're watching these episodes, things flip back and forth and you're like, oh, right. We didn't know. Like, was it gone? Was the talking to camera gone? No, no, it's not gone. It's back. So whatever was going on with that is interesting. So she says in her voiceover that she envies Amelita.

And then she says to the camera, where is the line between a professional girlfriend and professional? So this is interesting to me because I feel like in 2025, I feel like the idea of people who engage in work for sex, sex for work, sex workers, it's just a lot more... Freedom to talk about freedom to to like take them seriously, not to judge them.

And then she says to the camera, where is the line between a professional girlfriend and professional? So this is interesting to me because I feel like in 2025, I feel like the idea of people who engage in work for sex, sex for work, sex workers, it's just a lot more... Freedom to talk about freedom to to like take them seriously, not to judge them.

You know, we have this movie, Nora, who's up for an Oscar, may win an Oscar very openly about a young woman trying to live in New York. engaging in stripping and sex work. We've got Pink Pony Club by Chapel Roan, very openly about, you know, having fun up on the stage in our high heels. I mean, I feel like we've come a long way.

You know, we have this movie, Nora, who's up for an Oscar, may win an Oscar very openly about a young woman trying to live in New York. engaging in stripping and sex work. We've got Pink Pony Club by Chapel Roan, very openly about, you know, having fun up on the stage in our high heels. I mean, I feel like we've come a long way.

But the interesting thing that I think here, back in our show in 1998, is that Carrie's talking about it. She's not really judging it. She's just discussing, like, is there a line between professional girlfriend and professional? Is there not? You know, where do I fall on that line? Where do I want to fall? I love that. And I think we're going to have so many interesting conversations.

But the interesting thing that I think here, back in our show in 1998, is that Carrie's talking about it. She's not really judging it. She's just discussing, like, is there a line between professional girlfriend and professional? Is there not? You know, where do I fall on that line? Where do I want to fall? I love that. And I think we're going to have so many interesting conversations.

For some reason, we play poker at Carrie's, which I don't know how this happened. I'm like, what? Do we know how to play poker? Did anyone at that table know how to play poker? Because I definitely didn't. Many people have tried to teach me since then. It's never stuck. But, you know, clearly we're trying to play poker for some reason. I don't know whose idea this was. It's super interesting.

For some reason, we play poker at Carrie's, which I don't know how this happened. I'm like, what? Do we know how to play poker? Did anyone at that table know how to play poker? Because I definitely didn't. Many people have tried to teach me since then. It's never stuck. But, you know, clearly we're trying to play poker for some reason. I don't know whose idea this was. It's super interesting.

So we're there. We start discussing the power of female sex. Women can use their sexuality to get ahead wherever possible, but men shouldn't be allowed to take advantage of it. This is kind of one of the ideas that's in there, which is super interesting, right? At which point Charlotte says, hmm, well, what if someone just says you're charming?

So we're there. We start discussing the power of female sex. Women can use their sexuality to get ahead wherever possible, but men shouldn't be allowed to take advantage of it. This is kind of one of the ideas that's in there, which is super interesting, right? At which point Charlotte says, hmm, well, what if someone just says you're charming?

She kind of like floats this idea out there gently as she does. And it turns out that there's an artist because, you know, Charlotte's whole beginning story storyline is, in my mind, largely about her love of art and that she works in a gallery. And, you know, in the pilot, she goes to see the Ross Blechner.

She kind of like floats this idea out there gently as she does. And it turns out that there's an artist because, you know, Charlotte's whole beginning story storyline is, in my mind, largely about her love of art and that she works in a gallery. And, you know, in the pilot, she goes to see the Ross Blechner.

That's why she goes to the guy's apartment that she then leaves, you know, like there's art, art, art, art, right? So in this particular setting, this artist named Neville Morgan, who's definitely, definitely a fictional character, has come into her gallery and kind of gently flirted with her and invited her to come to his studio out in rural Connecticut, which you will see soon.

That's why she goes to the guy's apartment that she then leaves, you know, like there's art, art, art, art, right? So in this particular setting, this artist named Neville Morgan, who's definitely, definitely a fictional character, has come into her gallery and kind of gently flirted with her and invited her to come to his studio out in rural Connecticut, which you will see soon.

And basically Miranda says to her, if he asks you to hold his paintbrush, you know, let's do him because that's the only way to use power as a woman, something like that, which is so Miranda, right? So Miranda. And obviously Samantha has a lot of other things to say, which is also interesting, um, And she's going to say more soon, too.

And basically Miranda says to her, if he asks you to hold his paintbrush, you know, let's do him because that's the only way to use power as a woman, something like that, which is so Miranda, right? So Miranda. And obviously Samantha has a lot of other things to say, which is also interesting, um, And she's going to say more soon, too.