Lulu Garcia Navarro

And then just to use, you know, the film that you're currently in, you're just acting.

And obviously you helped craft the character and the dynamics, but it's not, you don't have the same kind of responsibility.

Yeah.

So can you parse that out for me in terms of that idea of getting satisfaction or having it reflect yourself?

How do you differentiate between those two different things?

So like being in The Fablemen, Steven Spielberg, et cetera.

So the way I read your on-screen and off-screen history, as we sort of discussed, it's sort of a testament to male friendship.

There's Judd Apatow, of course, who hired you for Freaks and Geeks.

And then you met a whole bunch of buddies through that.

Jason Segel, James Franco.

And of course, you've had the same writing partner, Evan Goldberg, as we've discussed.

I asked you earlier...

What makes a good relationship?

What makes a good male friendship?

Why do you think that version of male friendship translated so well on screen?

I mean, one interesting thing about your character in The Invite is that he has no friends.

And, I mean, it just seems pretty reflective of what's happening in the culture today more broadly with men.

You know, the loneliness epidemic.

And I just wonder, is Hollywood doing a good job of showing positive male friendships the way it used to?

No, because I think about... That's what I'm saying.