Maggie Rogers

They're definitely woven through. I have no problem revealing, you know, because I mean, yeah, I've been doing that for a long time. I'm also just sort of like professionally vulnerable and just naturally very comfortable with that. But I think it's the feelings in all of these songs are very real.

I think that was really true when I started writing songs. I started writing songs kind of at the end of middle school and the beginning of high school. And it was very much a like one-to-one diary entry directive where I would write songs as a form of like self-soothing therapy and sort of play the song until I felt a new way.

I think that was really true when I started writing songs. I started writing songs kind of at the end of middle school and the beginning of high school. And it was very much a like one-to-one diary entry directive where I would write songs as a form of like self-soothing therapy and sort of play the song until I felt a new way.

I think that was really true when I started writing songs. I started writing songs kind of at the end of middle school and the beginning of high school. And it was very much a like one-to-one diary entry directive where I would write songs as a form of like self-soothing therapy and sort of play the song until I felt a new way.

And it was also at this time where I was experiencing so much in my life for the first time. And it was 15 years ago now. And I think now, I think about songwriting a lot as a form of archiving. I mean, obviously, I'm a nostalgic person if my record is called Don't Forget Me. But there's so much beauty in life and so much detail and so much memory.

And it was also at this time where I was experiencing so much in my life for the first time. And it was 15 years ago now. And I think now, I think about songwriting a lot as a form of archiving. I mean, obviously, I'm a nostalgic person if my record is called Don't Forget Me. But there's so much beauty in life and so much detail and so much memory.

And it was also at this time where I was experiencing so much in my life for the first time. And it was 15 years ago now. And I think now, I think about songwriting a lot as a form of archiving. I mean, obviously, I'm a nostalgic person if my record is called Don't Forget Me. But there's so much beauty in life and so much detail and so much memory.

And I do worry about forgetting it all or being able to, like, I get my arms so full of detail that I don't drop anything. And putting it into my art feels like one way of being able to just keep holding it.

And I do worry about forgetting it all or being able to, like, I get my arms so full of detail that I don't drop anything. And putting it into my art feels like one way of being able to just keep holding it.

And I do worry about forgetting it all or being able to, like, I get my arms so full of detail that I don't drop anything. And putting it into my art feels like one way of being able to just keep holding it.

I think it's really a part of who I am. Like, my dad always tells this story of the night I turned five, he found me sobbing. And I was just, like, completely overwhelmed at the fact that I would never be four again.

I think it's really a part of who I am. Like, my dad always tells this story of the night I turned five, he found me sobbing. And I was just, like, completely overwhelmed at the fact that I would never be four again.

I think it's really a part of who I am. Like, my dad always tells this story of the night I turned five, he found me sobbing. And I was just, like, completely overwhelmed at the fact that I would never be four again.

Yeah, hey, yeah, I do. I do write about that. And it is just, I think this idea of...

Yeah, hey, yeah, I do. I do write about that. And it is just, I think this idea of...

Yeah, hey, yeah, I do. I do write about that. And it is just, I think this idea of...

time and the way that it slips through your fingers and not being able to go back I mean I think not to talk more about live performance and why I love it but it kind of is because the thing about being on stage is the second it's awesome and you're like something is really happening here it's gone and you can't hold it you can just be present in it and hope that you remember it and so anyway yeah I'm a nostalgic person

time and the way that it slips through your fingers and not being able to go back I mean I think not to talk more about live performance and why I love it but it kind of is because the thing about being on stage is the second it's awesome and you're like something is really happening here it's gone and you can't hold it you can just be present in it and hope that you remember it and so anyway yeah I'm a nostalgic person

time and the way that it slips through your fingers and not being able to go back I mean I think not to talk more about live performance and why I love it but it kind of is because the thing about being on stage is the second it's awesome and you're like something is really happening here it's gone and you can't hold it you can just be present in it and hope that you remember it and so anyway yeah I'm a nostalgic person

Yeah, that's important to sort of note that I didn't go to any kind of seminary. I didn't train to be a priest.