Mark Smith
👤 PersonAppearances Over Time
Podcast Appearances
And he sits down, apparently.
And it's Homer Plessy, because he's trying to prove a point, that has to tell the conductor, sir, I'm on the wrong car because I'm black. So what you have here, is a really powerful illustration of the fact that you cannot see race in all instances. And if you can't see them in all instances, then how on earth could you erect an entire system on segregation that assumes that you can detect race?
And it's Homer Plessy, because he's trying to prove a point, that has to tell the conductor, sir, I'm on the wrong car because I'm black. So what you have here, is a really powerful illustration of the fact that you cannot see race in all instances. And if you can't see them in all instances, then how on earth could you erect an entire system on segregation that assumes that you can detect race?
And it's Homer Plessy, because he's trying to prove a point, that has to tell the conductor, sir, I'm on the wrong car because I'm black. So what you have here, is a really powerful illustration of the fact that you cannot see race in all instances. And if you can't see them in all instances, then how on earth could you erect an entire system on segregation that assumes that you can detect race?
So we're in the courtroom, and the way that it's framed is these black leaders in this parish in New Orleans are trying to say, hang on a minute. If you want to prosecute my client, Homer Plessy, for violating a segregated car statute, for going into the wrong car, surely you have to be able to say, well, we could identify him as black. please tell us how you know that my client is black.
So we're in the courtroom, and the way that it's framed is these black leaders in this parish in New Orleans are trying to say, hang on a minute. If you want to prosecute my client, Homer Plessy, for violating a segregated car statute, for going into the wrong car, surely you have to be able to say, well, we could identify him as black. please tell us how you know that my client is black.
So we're in the courtroom, and the way that it's framed is these black leaders in this parish in New Orleans are trying to say, hang on a minute. If you want to prosecute my client, Homer Plessy, for violating a segregated car statute, for going into the wrong car, surely you have to be able to say, well, we could identify him as black. please tell us how you know that my client is black.
Because if you can't tell us that, then he's innocent. And Louisiana's prosecuting attorney replies to this claim by the defense counsel. He said, well, I don't really need to see him to know that he's black. I don't need to see his race. I can smell it.
Because if you can't tell us that, then he's innocent. And Louisiana's prosecuting attorney replies to this claim by the defense counsel. He said, well, I don't really need to see him to know that he's black. I don't need to see his race. I can smell it.
Because if you can't tell us that, then he's innocent. And Louisiana's prosecuting attorney replies to this claim by the defense counsel. He said, well, I don't really need to see him to know that he's black. I don't need to see his race. I can smell it.
And what the prosecutor argued was... My eye might not be up to the task of locating race and identifying Homer Plessy's race, but my nose is. And that's the conceit, right? That's the invention. They're not true. They're inventions. But if you have the authority to make the claim that you smell, it becomes the social truth broadly accepted.
And what the prosecutor argued was... My eye might not be up to the task of locating race and identifying Homer Plessy's race, but my nose is. And that's the conceit, right? That's the invention. They're not true. They're inventions. But if you have the authority to make the claim that you smell, it becomes the social truth broadly accepted.
And what the prosecutor argued was... My eye might not be up to the task of locating race and identifying Homer Plessy's race, but my nose is. And that's the conceit, right? That's the invention. They're not true. They're inventions. But if you have the authority to make the claim that you smell, it becomes the social truth broadly accepted.
I mean, it doesn't matter if Homer Plessy is innocent or guilty. What matters is that people have now articulated very clearly that they can rely on the sense of smell in order to adjudicate judicial cases, and that relying on that argument is going to have long-term implications.
I mean, it doesn't matter if Homer Plessy is innocent or guilty. What matters is that people have now articulated very clearly that they can rely on the sense of smell in order to adjudicate judicial cases, and that relying on that argument is going to have long-term implications.
I mean, it doesn't matter if Homer Plessy is innocent or guilty. What matters is that people have now articulated very clearly that they can rely on the sense of smell in order to adjudicate judicial cases, and that relying on that argument is going to have long-term implications.
If you don't pay attention to smell, you won't reveal the power hierarchies of that time. You'll actually be in a kind of blind spot because, hang on a minute, that's natural, isn't it? And the whole idea behind power is to naturalize it. It's always been this way, it is this way, and it will remain this way.
If you don't pay attention to smell, you won't reveal the power hierarchies of that time. You'll actually be in a kind of blind spot because, hang on a minute, that's natural, isn't it? And the whole idea behind power is to naturalize it. It's always been this way, it is this way, and it will remain this way.
If you don't pay attention to smell, you won't reveal the power hierarchies of that time. You'll actually be in a kind of blind spot because, hang on a minute, that's natural, isn't it? And the whole idea behind power is to naturalize it. It's always been this way, it is this way, and it will remain this way.
The smell of your mother, the smell of your first child, the smell of pain, the smell of working out, These are things that kind of knit your experience together. And if you take them out of your sensory experience generally, you're not going to have that more robust sense of your own past.