Michael Shellenberger

It was always, it was a whole place committed to, it was English Americans or the American English, as they were referred to, wanting to create a country the first time that was just founded on the enlightenment ideals of freedom and of free expression. I mean, so important. They put us the first amendment, they insist on a bill of rights.

It was always, it was a whole place committed to, it was English Americans or the American English, as they were referred to, wanting to create a country the first time that was just founded on the enlightenment ideals of freedom and of free expression. I mean, so important. They put us the first amendment, they insist on a bill of rights.

It was always, it was a whole place committed to, it was English Americans or the American English, as they were referred to, wanting to create a country the first time that was just founded on the enlightenment ideals of freedom and of free expression. I mean, so important. They put us the first amendment, they insist on a bill of rights.

So you just get this completely twisted, you know, disinformation story about the United States that gets embraced. Yeah, it's nihilism. But embraced by whites. Yeah.

So you just get this completely twisted, you know, disinformation story about the United States that gets embraced. Yeah, it's nihilism. But embraced by whites. Yeah.

So you just get this completely twisted, you know, disinformation story about the United States that gets embraced. Yeah, it's nihilism. But embraced by whites. Yeah.

I mean, it's end of civilization sort of ideology, isn't it?

I mean, it's end of civilization sort of ideology, isn't it?

I mean, it's end of civilization sort of ideology, isn't it?

No, and when you read the old- And it is the whites, too. Oh, yeah. No, because the Latinos, I mean, they're sort of- They're like, what? Yeah, for sure. They're like more working class. They're more Christian. They're more, they love America more. They remember where they came from more. I agree.

No, and when you read the old- And it is the whites, too. Oh, yeah. No, because the Latinos, I mean, they're sort of- They're like, what? Yeah, for sure. They're like more working class. They're more Christian. They're more, they love America more. They remember where they came from more. I agree.

No, and when you read the old- And it is the whites, too. Oh, yeah. No, because the Latinos, I mean, they're sort of- They're like, what? Yeah, for sure. They're like more working class. They're more Christian. They're more, they love America more. They remember where they came from more. I agree.

So, yeah, I mean, it's also, yeah, so it's just in some ways it's an old story of a civilization just at its end. I mean, including all the transgenderism. I mean, that's, you know, that's the Camille Polly is famous writing about how that shows up at the end of civilizations. Yeah.

So, yeah, I mean, it's also, yeah, so it's just in some ways it's an old story of a civilization just at its end. I mean, including all the transgenderism. I mean, that's, you know, that's the Camille Polly is famous writing about how that shows up at the end of civilizations. Yeah.

So, yeah, I mean, it's also, yeah, so it's just in some ways it's an old story of a civilization just at its end. I mean, including all the transgenderism. I mean, that's, you know, that's the Camille Polly is famous writing about how that shows up at the end of civilizations. Yeah.

And so, you know, if you read Toynbee, it's like one of the characteristics is when the elites stop the creative class of elites, which is, I mean, Los Angeles, they stop identifying with their own working class and they start to identify with, you know, with outsiders, basically with people from foreigners from outside the country. That's another sign of a civilization at its end.

And so, you know, if you read Toynbee, it's like one of the characteristics is when the elites stop the creative class of elites, which is, I mean, Los Angeles, they stop identifying with their own working class and they start to identify with, you know, with outsiders, basically with people from foreigners from outside the country. That's another sign of a civilization at its end.

And so, you know, if you read Toynbee, it's like one of the characteristics is when the elites stop the creative class of elites, which is, I mean, Los Angeles, they stop identifying with their own working class and they start to identify with, you know, with outsiders, basically with people from foreigners from outside the country. That's another sign of a civilization at its end.

Tucker says it best. The credit card companies are ripping Americans off, and enough is enough. This is Senator Roger Marshall of Kansas. Our legislation, the Credit Card Competition Act, would help end the grip Visa and MasterCard have on us. Every time you use your credit card, they charge you a hidden fee called a swipe fee, and they've been raising it without even telling you.

Tucker says it best. The credit card companies are ripping Americans off, and enough is enough. This is Senator Roger Marshall of Kansas. Our legislation, the Credit Card Competition Act, would help end the grip Visa and MasterCard have on us. Every time you use your credit card, they charge you a hidden fee called a swipe fee, and they've been raising it without even telling you.