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Mike Leigh

đŸ‘€ Person
432 total appearances

Appearances Over Time

Podcast Appearances

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

Oh, that was fantastic. The BBC were great in that period. This is not so anymore, by the way. You'd go in and they'd say, okay, no script, don't know what it's about. That's the budget, that's the deadline, go away and make a film. And it was fantastic.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

Oh, that was fantastic. The BBC were great in that period. This is not so anymore, by the way. You'd go in and they'd say, okay, no script, don't know what it's about. That's the budget, that's the deadline, go away and make a film. And it was fantastic.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

Oh, that was fantastic. The BBC were great in that period. This is not so anymore, by the way. You'd go in and they'd say, okay, no script, don't know what it's about. That's the budget, that's the deadline, go away and make a film. And it was fantastic.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

And, you know, a whole bunch of us, I mean, what's important about that in the wider scheme of things is the only place you could make films in the UK was for television, mostly for the BBC, not entirely. Und wir sitzen da und sagen, wir machen diese Filme mit all unseren FĂ€higkeiten und FĂ€higkeiten, aber die Welt denkt, es gibt keinen britischen Film.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

And, you know, a whole bunch of us, I mean, what's important about that in the wider scheme of things is the only place you could make films in the UK was for television, mostly for the BBC, not entirely. Und wir sitzen da und sagen, wir machen diese Filme mit all unseren FĂ€higkeiten und FĂ€higkeiten, aber die Welt denkt, es gibt keinen britischen Film.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

And, you know, a whole bunch of us, I mean, what's important about that in the wider scheme of things is the only place you could make films in the UK was for television, mostly for the BBC, not entirely. Und wir sitzen da und sagen, wir machen diese Filme mit all unseren FĂ€higkeiten und FĂ€higkeiten, aber die Welt denkt, es gibt keinen britischen Film.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

Wir gehen nicht zu Festivals, die nicht als Filme bezeichnet wurden, denn sie sind Fernsehfilme, etc. Sie wurden auf 16 Millimeter gemacht, blablabla. Und es war frustrierend, obwohl es nur drei KanÀle auf der Fernsehseite gab. Und dann, wie Sie wissen, in den Mitte 80er-Jahren, The fourth channel, Channel 4, started in the UK.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

Wir gehen nicht zu Festivals, die nicht als Filme bezeichnet wurden, denn sie sind Fernsehfilme, etc. Sie wurden auf 16 Millimeter gemacht, blablabla. Und es war frustrierend, obwohl es nur drei KanÀle auf der Fernsehseite gab. Und dann, wie Sie wissen, in den Mitte 80er-Jahren, The fourth channel, Channel 4, started in the UK.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

Wir gehen nicht zu Festivals, die nicht als Filme bezeichnet wurden, denn sie sind Fernsehfilme, etc. Sie wurden auf 16 Millimeter gemacht, blablabla. Und es war frustrierend, obwohl es nur drei KanÀle auf der Fernsehseite gab. Und dann, wie Sie wissen, in den Mitte 80er-Jahren, The fourth channel, Channel 4, started in the UK.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

And their remit was to collaborate on and back independent productions. And so suddenly it was possible to make movies. And they've been involved in nearly all of my films, right down to Hard Truths.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

And their remit was to collaborate on and back independent productions. And so suddenly it was possible to make movies. And they've been involved in nearly all of my films, right down to Hard Truths.

WTF with Marc Maron Podcast
Episode 1607 - Mike Leigh

And their remit was to collaborate on and back independent productions. And so suddenly it was possible to make movies. And they've been involved in nearly all of my films, right down to Hard Truths.

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