Nate DiMeo

This is The Memory Palace. I'm Nate DiMeo. The sound of the chants, the creaking door, the lumbering footsteps. They'd recorded all that before Bobby had shown up in the studio, right on Sunset Boulevard, a stone's throw from Hollywood High.

This is The Memory Palace. I'm Nate DiMeo. The sound of the chants, the creaking door, the lumbering footsteps. They'd recorded all that before Bobby had shown up in the studio, right on Sunset Boulevard, a stone's throw from Hollywood High.

That location alone still had some magic in it for Bobby Pickett, only six years since he'd graduated high school himself, on the wrong side of the tracks in Boston. Part of, you know, not telling people what the story is about is because I want to take them on a ride, but I also don't want them to prepare.

That location alone still had some magic in it for Bobby Pickett, only six years since he'd graduated high school himself, on the wrong side of the tracks in Boston. Part of, you know, not telling people what the story is about is because I want to take them on a ride, but I also don't want them to prepare.

That location alone still had some magic in it for Bobby Pickett, only six years since he'd graduated high school himself, on the wrong side of the tracks in Boston. Part of, you know, not telling people what the story is about is because I want to take them on a ride, but I also don't want them to prepare.

not long after his ill-fated stint in post-war Korea, all kitchen duty and bordellos and blown curfews and court-martials, and just months since he'd come out to California to make it, to take a chance on his henchman-to-the-teen-bully-in-a-beach-party-movie good looks and his fourth-best singer in a five-man boy band voice. but he was starting to find his footing. Make friends, make connections.

not long after his ill-fated stint in post-war Korea, all kitchen duty and bordellos and blown curfews and court-martials, and just months since he'd come out to California to make it, to take a chance on his henchman-to-the-teen-bully-in-a-beach-party-movie good looks and his fourth-best singer in a five-man boy band voice. but he was starting to find his footing. Make friends, make connections.

not long after his ill-fated stint in post-war Korea, all kitchen duty and bordellos and blown curfews and court-martials, and just months since he'd come out to California to make it, to take a chance on his henchman-to-the-teen-bully-in-a-beach-party-movie good looks and his fourth-best singer in a five-man boy band voice. but he was starting to find his footing. Make friends, make connections.

Meet that guy at the bar who knows the girl who works on the desk of some agent, who knows this producer, who knows this woman who's one of the mistresses to the aging actor who used to play the buttoned-up dad on that sitcom and is trying to pull together his next project.

Meet that guy at the bar who knows the girl who works on the desk of some agent, who knows this producer, who knows this woman who's one of the mistresses to the aging actor who used to play the buttoned-up dad on that sitcom and is trying to pull together his next project.

Meet that guy at the bar who knows the girl who works on the desk of some agent, who knows this producer, who knows this woman who's one of the mistresses to the aging actor who used to play the buttoned-up dad on that sitcom and is trying to pull together his next project.

Like the best like writing advice I ever got from a former host of the public radio show Marketplace when we were writing the little introductions to the thing. He said every introduction that you hear in public radio, almost everyone tells you the whole damn story. And what you need to do is you need to raise a question.

Like the best like writing advice I ever got from a former host of the public radio show Marketplace when we were writing the little introductions to the thing. He said every introduction that you hear in public radio, almost everyone tells you the whole damn story. And what you need to do is you need to raise a question.

Like the best like writing advice I ever got from a former host of the public radio show Marketplace when we were writing the little introductions to the thing. He said every introduction that you hear in public radio, almost everyone tells you the whole damn story. And what you need to do is you need to raise a question.

And I have realized that every single line ought to be either raising or answering a question because that journey, it turns every story into a mystery, no matter how straightforward.

And I have realized that every single line ought to be either raising or answering a question because that journey, it turns every story into a mystery, no matter how straightforward.

And I have realized that every single line ought to be either raising or answering a question because that journey, it turns every story into a mystery, no matter how straightforward.

And I do think that people have found in its weird, like hypersincerity and kind of purity, they have like connected to the project on this sort of deeper level because they feel like they're not being kowtowed to or manipulated.

And I do think that people have found in its weird, like hypersincerity and kind of purity, they have like connected to the project on this sort of deeper level because they feel like they're not being kowtowed to or manipulated.

And I do think that people have found in its weird, like hypersincerity and kind of purity, they have like connected to the project on this sort of deeper level because they feel like they're not being kowtowed to or manipulated.