Patrick Baud

He filled his house with objects, curiosities, things he found at the flea market and he made a kind of work of art. Each square centimeter is covered with crazy objects. Is he an unstable person? No, no, it's really the project of his life, it's an artistic project.

He filled his house with objects, curiosities, things he found at the flea market and he made a kind of work of art. Each square centimeter is covered with crazy objects. Is he an unstable person? No, no, it's really the project of his life, it's an artistic project.

Visually, it's incredible, really. And when I discovered this place while doing the research, I said to myself, but it's crazy that I've never seen it before, so I contacted him. And so the guy was very surprised that a Frenchman had heard about his museum. And when I explained to him that we were going to put it on the cover, he was very happy. He sent us a lot of photos.

Visually, it's incredible, really. And when I discovered this place while doing the research, I said to myself, but it's crazy that I've never seen it before, so I contacted him. And so the guy was very surprised that a Frenchman had heard about his museum. And when I explained to him that we were going to put it on the cover, he was very happy. He sent us a lot of photos.

And so there are museums that are, for example, at the end of the Cambrousse in New Zealand. So an artist who bought an old bus English, and he filled it with tomatoes that he makes himself. And he too, when I contacted him, he said to me, but how do you know my museum? You are French, I say it's my job, sir.

And so there are museums that are, for example, at the end of the Cambrousse in New Zealand. So an artist who bought an old bus English, and he filled it with tomatoes that he makes himself. And he too, when I contacted him, he said to me, but how do you know my museum? You are French, I say it's my job, sir.

So there's a spectacular part of the museum by their architecture, by their collections, then there's an improbable part of the museum, like a dog collar museum, a mason's museum, a devil's museum, so there are museums specialized in weird things. There's the banana museum, but I don't think it's solid enough for you. I didn't put the banana museum, I admit it. It's not solid enough.

So there's a spectacular part of the museum by their architecture, by their collections, then there's an improbable part of the museum, like a dog collar museum, a mason's museum, a devil's museum, so there are museums specialized in weird things. There's the banana museum, but I don't think it's solid enough for you. I didn't put the banana museum, I admit it. It's not solid enough.

In Mexico, for example, you have the mummy museum, which is terrifying. So it's almost unique in the world. You have dozens and dozens of mummies that have been preserved for a century in Mexico and that are terrifying for Western tourists. But over there, they are really part of the country's culture. That is to say that there have been films in the 1960s, like the catchers against the mummies.

In Mexico, for example, you have the mummy museum, which is terrifying. So it's almost unique in the world. You have dozens and dozens of mummies that have been preserved for a century in Mexico and that are terrifying for Western tourists. But over there, they are really part of the country's culture. That is to say that there have been films in the 1960s, like the catchers against the mummies.

It's the second season of Sirens, I think.

It's the second season of Sirens, I think.

But they're only women. And so, there you have it, incredible visions, like that, all over the world, and I'm very, very happy.

But they're only women. And so, there you have it, incredible visions, like that, all over the world, and I'm very, very happy.