Stacey Vanek-Smith (Everybody's Business Host)

Yeah, Germans do tend to like us, huh?

Yeah, Germans do tend to like us, huh?

Yeah, I think you're right. And there were a couple of key sort of employment places and institutions that kind of helped foster this cohesiveness. One was a design firm called The Grip because most of these, if not all of them, at some point worked for The Grip as commercial designers. And they had a manager there named Albert Robson that really –

Yeah, I think you're right. And there were a couple of key sort of employment places and institutions that kind of helped foster this cohesiveness. One was a design firm called The Grip because most of these, if not all of them, at some point worked for The Grip as commercial designers. And they had a manager there named Albert Robson that really –

Yeah, I think you're right. And there were a couple of key sort of employment places and institutions that kind of helped foster this cohesiveness. One was a design firm called The Grip because most of these, if not all of them, at some point worked for The Grip as commercial designers. And they had a manager there named Albert Robson that really –

Or Robeson maybe who helped sort of foster their outside art, not outsider art, different thing, but just saying like, hey, we love your design work and you should also do this other stuff because all boats will rise. And then a place called the Arts and Letters Club, which was a private club, a social club for men. And for artists in particular.

Or Robeson maybe who helped sort of foster their outside art, not outsider art, different thing, but just saying like, hey, we love your design work and you should also do this other stuff because all boats will rise. And then a place called the Arts and Letters Club, which was a private club, a social club for men. And for artists in particular.

Or Robeson maybe who helped sort of foster their outside art, not outsider art, different thing, but just saying like, hey, we love your design work and you should also do this other stuff because all boats will rise. And then a place called the Arts and Letters Club, which was a private club, a social club for men. And for artists in particular.

So they would get together with other Canadian musicians and writers and actors there. They had patrons there that they could get a little juice to help support themselves. And those two places were sort of the nuclei of which they spun around. Okay.

So they would get together with other Canadian musicians and writers and actors there. They had patrons there that they could get a little juice to help support themselves. And those two places were sort of the nuclei of which they spun around. Okay.

So they would get together with other Canadian musicians and writers and actors there. They had patrons there that they could get a little juice to help support themselves. And those two places were sort of the nuclei of which they spun around. Okay.

Yeah, his stuff is pretty great. He was a transcendentalist, though. He just got sick a lot. And as we'll see, he died fairly young. And he kept trying to tell everyone, like, I really love this stuff. I'm not an indoor kid, I promise. I just can't go bushwhacking this weekend.

Yeah, his stuff is pretty great. He was a transcendentalist, though. He just got sick a lot. And as we'll see, he died fairly young. And he kept trying to tell everyone, like, I really love this stuff. I'm not an indoor kid, I promise. I just can't go bushwhacking this weekend.

Yeah, his stuff is pretty great. He was a transcendentalist, though. He just got sick a lot. And as we'll see, he died fairly young. And he kept trying to tell everyone, like, I really love this stuff. I'm not an indoor kid, I promise. I just can't go bushwhacking this weekend.

Which scene do you know? Is it the famous office interview scene?

Which scene do you know? Is it the famous office interview scene?

Which scene do you know? Is it the famous office interview scene?

Oh, okay.

Oh, okay.

Oh, okay.