Dark bamboo

"I enjoy feeling disorientated sometimes; being exposed to sound worlds which don’t reveal their inner logic. The bamboo recording felt like one of those moments.  "I wanted to take the rhythms of the creaking bamboo & weave something around it, thinking about nature, preservation and the encroachment of technology, as well as Brazil’s immense percussive heritage & influence. "The piece of music which has emerged is darker than I anticipated, perhaps reflecting the times we’re living through. "The main components were put together on a train, which may have informed its repetitive nature. Some serendipitous equipment malfunctions; digital distortion, timing inaccuracies, also made their way in, and have been retained. "Initial work was done using segments of the recording as samples in a Polyend Tracker Mini, then supplemented by Logic Pro running various plugins, some analogue outboard distortion, and a Dreadbox Nymphes synthesizer. "Off-kilter rhythms, and a sense that everything might fall over at any minute are very much part of the deal, but bamboo is resilient; it may flex, but rarely breaks." Ilha Grande soundscape reimagined by Andrew Tulloch. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

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