e102 aesthetics - how can we 'de-modernize' art?

(ocean shoreline)The problem with beauty is that it can distract us from reality.Sit with me, please, take a moment. Sit and listen… Over there, about 56 kilometers to the northeast, is the traditional territory of the Musqueam, Squamish and Tsleil-Waututh nations, also known as Vancouver.Listen to the ocean flowing, like the blood and liquids in your body. We are water.Listen to the ravens passing by and croaking. They are poetry in motion.Listen to the city rumbling at a distance, but it's hard to hear, isn’t it? Let me help by filtering out high frequencies… (cutting out of high frequencies) Ah, there is the drone of the city. It’s both beautiful and bewildering, isn’t it?A plane is coming. I’ll bring back the high frequencies.(bring back high frequencies) The sky is littered with aircraft around here - seaplanes, jets, helicopters - but they can have a strong aesthetic effect as they inch their way across the sky, merging with the rumble of the city.(Fading to silence)One of the problems with modern aesthetic experiences is that we tend to choose the ones that reinforce our own world view and deny the shit around us. Dr. Vanessa Andreotti suggests that we learn to ‘hold space for the good, the bad, the ugly and the messed up, within and around’How can we ‘de-modernize’ art?*This episode is dedicated to my colleague Hildegard Westerkamp whose voice, from her Kits Beach Soundwalk (1989) composition, was in my head when I wrote the narrative for this episode.  I respectfully borrowed her technique of filtering a soundscape as part of a narrative. The recording was made on a Zoom H4n Pro in one take on Saturday, October 1, 2022 at 8am at the Boat Pass at Winter Cove National Park, Saturna Island, BC. I thank Dr. Vanessa Andreotti for the use of her words. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible). *END NOTES FOR ALL EPISODESHey conscient listeners, I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It’s my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.Your feedback is always welcome at [email protected] and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.Share what you like, etcI am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on November 13, 2025

There are no comments yet.

Please log in to write the first comment.