Menu
Sign In Pricing Add Podcast
Podcast Image

The Moth

The Moth Podcast: A Blue Bonus

07 Mar 2025

Description

On this bonus episode, in honor of The Blue Man Group's NYC exit, we're playing a favorite story about, you guessed it, The Blue Man Group. This episode was hosted by Marc Sollinger. Storyteller: After many years in the legendary Blue Man Group, John Grady makes a profound connection with an audience member. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Audio
Featured in this Episode
Transcription

Full Episode

2.813 - 24.599 Mark Sollinger

Welcome to the Moth Podcast. I'm Mark Sollinger, coming at you with a special bonus episode. We're feeling a little blue today because we learned the Blue Man Group just ended its New York run. And no, I do not apologize for the pun. The Blue Man Group is still going with shows in Boston, Las Vegas, and Berlin, but its New York closing reminded us of one of our favorite stories from our archive.

0

25.139 - 43.886 Mark Sollinger

And we thought we'd share it with you. Oh, and if you're not familiar with the Blue Man Group, well, just listen to the story. John Grady told us at a Moth main stage that we produced in collaboration with Blue Man Group, with musical interludes performed by Blue Men, and held at Astor Place Theatre, the now former New York City home of Blue Man.

0

44.427 - 54.231 Mark Sollinger

The theme of the night was, appropriately enough, Tangled Up in Blue. Here's John, live at the Moth.

0

54.271 - 72.768 John Grady

There we go. So I spent eight years of my life here in New York City performing with Blue Man Group. Thank you. Thank you. I know. No, it's like, seriously, dream job. I'm serious.

0

73.509 - 94.947 John Grady

I mean, where else do you get to learn, you know, to be a precision expert drummer, to learn to throw and catch with, you know, laser-like focus and, you know, and also to communicate non-verbally with two other blue men on stage and with the audience because that's what it is. We don't speak. We don't talk. But it was a great job to have.

95.007 - 109.021 John Grady

I mean, it's my first time living in New York City, my first off-Broadway show, and I'm so excited. The show is just addicting to do. Once you do your first show, you're just like, ah, I can't wait for the next one, and the next one, and the next one, and the next one. Then a week goes by, and then a month goes by, and then a year goes by, and you celebrate your first anniversary.

109.341 - 137.073 John Grady

And then you're like, two years in, and a few more years, and a few more years have gone by, and somehow it has become a job. I know. It's like I'm just trying to keep it fresh and alive after show number 2473 or something, whatever. And I'm finding myself trying to fight complacency because you become so adept at doing all the skills that it's just not really a challenge.

137.153 - 163.154 John Grady

And I find myself walking through the show thinking things like, did I order food between shows? Did I remember to TiVo Sopranos? And like that. So now I'm trying to find and rediscover that thing, that original thing that really connected me with the show. And I find myself trying to recreate those early days.

163.294 - 179.859 John Grady

For those of you who haven't seen the show, it's primarily about the audience, about connectedness and community. The audience has gathered for the evening for this happening, for this crazy, wild, interactive piece of theater led by these three silent, bald and blue characters.

Comments

There are no comments yet.

Please log in to write the first comment.