“Twilight: Los Angeles, 1992” premièred nearly thirty years ago, but it’s one of the most current and important plays on Broadway right now. Anna Deavere Smith pioneered a form now known as verbatim theatre: instead of creating characters and writing dialogue, she would interview dozens or hundreds of people about an event, and weave a story from those real characters and their words. “Twilight” is about the deadly violence and unrest that erupted after police officers were acquitted of the ferocious beating of Rodney King—one of the first episodes of police brutality caught on videotape and broadcast to the nation. Her form, she tells David Remnick, let her complicate the racial dynamics of Black and white people, to include the voices of Asian Americans and Latinx people involved in the uprising. Deavere talks about how the play reads now, after George Floyd’s murder and the uprising that followed, and about what still hasn’t changed in the cultural climate for Black theatre artists.
No persons identified in this episode.
This episode hasn't been transcribed yet
Help us prioritize this episode for transcription by upvoting it.
Popular episodes get transcribed faster
Other episodes from The New Yorker Radio Hour
Transcribed and ready to explore now
How the Trump Administration Made Higher Education a Target
17 Oct 2025
The New Yorker Radio Hour
Brian Eno Knows “What Art Does”
03 Jun 2025
The New Yorker Radio Hour
Louisa Thomas on a Ballplayer’s Epic Final Game; Plus, Remembering the Composer of “Annie”
27 May 2025
The New Yorker Radio Hour
Cécile McLorin Salvant Performs Live In-Studio
23 May 2025
The New Yorker Radio Hour
From “On the Media” ’s “Divided Dial”: “Fishing in the Night”
20 May 2025
The New Yorker Radio Hour
Jake Tapper and Alex Thompson on President Joe Biden’s Decline, and Its Cover-Up
16 May 2025
The New Yorker Radio Hour