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3047 total appearances

Appearances Over Time

Podcast Appearances

The Commercial Break
Obey Your Master, Ticketmaster!

There was a guy named Fred Rosen who became the CEO of Ticketmaster, and he's the person who really created... the modern ticketing business as we know it. You know, it was a field of dreams. If you build it, they will come, and they did.

The Commercial Break
Obey Your Master, Ticketmaster!

Yeah, Ticketmaster is kind of the fall guy in this. It's set up for that purpose. Fred Rosen.

The Commercial Break
Obey Your Master, Ticketmaster!

Yeah, Ticketmaster is kind of the fall guy in this. It's set up for that purpose. Fred Rosen.

The Commercial Break
Obey Your Master, Ticketmaster!

Yeah, Ticketmaster is kind of the fall guy in this. It's set up for that purpose. Fred Rosen.

The Commercial Break
Obey Your Master, Ticketmaster!

He used to say that his client is not the consumer, it's the venue. He's there to take the heat for that venue.

The Commercial Break
Obey Your Master, Ticketmaster!

He used to say that his client is not the consumer, it's the venue. He's there to take the heat for that venue.

The Commercial Break
Obey Your Master, Ticketmaster!

He used to say that his client is not the consumer, it's the venue. He's there to take the heat for that venue.

The Commercial Break
Obey Your Master, Ticketmaster!

Artists stuck with Ticketmaster. In the UK and in Europe, they have a different ticketing system. And it's usually not these exclusive contracts. The cost of a ticket and the cost of a fee overseas tends to be a lot lower than in the U.S. But artists like touring in the U.S. because they make more money here.

The Commercial Break
Obey Your Master, Ticketmaster!

Artists stuck with Ticketmaster. In the UK and in Europe, they have a different ticketing system. And it's usually not these exclusive contracts. The cost of a ticket and the cost of a fee overseas tends to be a lot lower than in the U.S. But artists like touring in the U.S. because they make more money here.

The Commercial Break
Obey Your Master, Ticketmaster!

Artists stuck with Ticketmaster. In the UK and in Europe, they have a different ticketing system. And it's usually not these exclusive contracts. The cost of a ticket and the cost of a fee overseas tends to be a lot lower than in the U.S. But artists like touring in the U.S. because they make more money here.

The Commercial Break
Obey Your Master, Ticketmaster!

And I was like, who was it? He said, Van Morrison. I was like, never heard of him.

The Commercial Break
Obey Your Master, Ticketmaster!

And I was like, who was it? He said, Van Morrison. I was like, never heard of him.

The Commercial Break
Obey Your Master, Ticketmaster!

And I was like, who was it? He said, Van Morrison. I was like, never heard of him.

The Commercial Break
Obey Your Master, Ticketmaster!

$9,500 in profit.

The Commercial Break
Obey Your Master, Ticketmaster!

$9,500 in profit.

The Commercial Break
Obey Your Master, Ticketmaster!

$9,500 in profit.

The Commercial Break
Obey Your Master, Ticketmaster!

Broker, just last month, he made over $34,000 in one month.

The Commercial Break
Obey Your Master, Ticketmaster!

Broker, just last month, he made over $34,000 in one month.

The Commercial Break
Obey Your Master, Ticketmaster!

Broker, just last month, he made over $34,000 in one month.

The Commercial Break
Obey Your Master, Ticketmaster!

Well, I know.