Adam Carolla

It's kind of like... Yeah, and they'll do them, and they're just... There's no...

there's a little artistry that has to go into docs.

And by the way, docs used to just kind of be tutorials and now they're a genre and then they, they have more to them, you know?

And so this, this series looks amazing.

Thank you.

Yeah.

It's been, it's been great.

I mean, like I said, you know, for me and Joe to kind of put this together and come from a artist side and from a management side, it's actually been very, very cool to be able to, to, to see that.

Cause again, we do play off of each other, but then listening to these other people and going, okay, well,

That's how that went, and that's how this story went.

And then we went into this depth thing, and that's why we did this doc is because, again, what's cool about this one is you can go off into other groups like this or other bands and other things and know that these stories exist, obviously, and there's a lot of them out there.

So it's interesting to see, and hopefully we'll be able to dive into more.

Once you start making docs, it's really like –

killing prostitutes, you can't stop.

You pass people in the airport and you go, that would be a good subject for a doc.

We should do a doc about that guy because he's working a floor buffer.

Yeah, but there's a story there, man.

You just start running...

I made my first doc about Paul Newman's car racing and ended up making another one about Willie T. Ribbs, who was like the first black driver at Indy, because he was in the Paul Newman doc.

And as I'm making the poll, we're interviewing this guy.