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Adam Howard

👤 Person
450 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

Welcome to the New Yorker Radio Hour. I'm Adam Howard. I'm a producer on the show, and I'm filling in for David Remnick this week. Willem Dafoe is one of the most versatile actors working in Hollywood. He's played everything from Jesus Christ to the Green Goblin.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

Welcome to the New Yorker Radio Hour. I'm Adam Howard. I'm a producer on the show, and I'm filling in for David Remnick this week. Willem Dafoe is one of the most versatile actors working in Hollywood. He's played everything from Jesus Christ to the Green Goblin.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

Welcome to the New Yorker Radio Hour. I'm Adam Howard. I'm a producer on the show, and I'm filling in for David Remnick this week. Willem Dafoe is one of the most versatile actors working in Hollywood. He's played everything from Jesus Christ to the Green Goblin.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

He also has one of the most distinctive faces and voices in movies, which has been deployed to great effect in blockbusters and smaller indie darlings. Dafoe's most recent project is the highly anticipated vampire film Nosferatu, It's his third movie with the director Robert Eggers, who's known for his ambitious and meticulously researched genre movies, like The Witch and The Northman.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

He also has one of the most distinctive faces and voices in movies, which has been deployed to great effect in blockbusters and smaller indie darlings. Dafoe's most recent project is the highly anticipated vampire film Nosferatu, It's his third movie with the director Robert Eggers, who's known for his ambitious and meticulously researched genre movies, like The Witch and The Northman.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

He also has one of the most distinctive faces and voices in movies, which has been deployed to great effect in blockbusters and smaller indie darlings. Dafoe's most recent project is the highly anticipated vampire film Nosferatu, It's his third movie with the director Robert Eggers, who's known for his ambitious and meticulously researched genre movies, like The Witch and The Northman.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

In Nosferatu, Willem Dafoe plays the vampire hunter. So he's a good guy, but with a shadowy disposition.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

In Nosferatu, Willem Dafoe plays the vampire hunter. So he's a good guy, but with a shadowy disposition.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

In Nosferatu, Willem Dafoe plays the vampire hunter. So he's a good guy, but with a shadowy disposition.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

I spoke to Willem Dafoe about his acting philosophy and his work with the visionary director Robert Eggers. I should start by telling you I just recently showed my three-year-old fantastic Mr. Fox, and your performance left quite an impression on her. As the rat? Yeah, the rat.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

I spoke to Willem Dafoe about his acting philosophy and his work with the visionary director Robert Eggers. I should start by telling you I just recently showed my three-year-old fantastic Mr. Fox, and your performance left quite an impression on her. As the rat? Yeah, the rat.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

I spoke to Willem Dafoe about his acting philosophy and his work with the visionary director Robert Eggers. I should start by telling you I just recently showed my three-year-old fantastic Mr. Fox, and your performance left quite an impression on her. As the rat? Yeah, the rat.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

She was like, why is he carrying a knife? It's one of those three-year-old questions that I'm like, there's really no good answer to that. He's just a little menacing. But I'm curious, in your experience, do you find that people have a hard time disassociating you from the roles that you play?

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

She was like, why is he carrying a knife? It's one of those three-year-old questions that I'm like, there's really no good answer to that. He's just a little menacing. But I'm curious, in your experience, do you find that people have a hard time disassociating you from the roles that you play?

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

She was like, why is he carrying a knife? It's one of those three-year-old questions that I'm like, there's really no good answer to that. He's just a little menacing. But I'm curious, in your experience, do you find that people have a hard time disassociating you from the roles that you play?

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

You have one of the most, I think, enviable track records in terms of working with directors. You've worked with David Lynch, Martin Scorsese, Spike Lee, Catherine Bigelow, Wes Anderson. I can go on and on and on. Robert Eggers, this is now your third collaboration with him.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

You have one of the most, I think, enviable track records in terms of working with directors. You've worked with David Lynch, Martin Scorsese, Spike Lee, Catherine Bigelow, Wes Anderson. I can go on and on and on. Robert Eggers, this is now your third collaboration with him.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

You have one of the most, I think, enviable track records in terms of working with directors. You've worked with David Lynch, Martin Scorsese, Spike Lee, Catherine Bigelow, Wes Anderson. I can go on and on and on. Robert Eggers, this is now your third collaboration with him.

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

I wonder if you could speak about what's unique and special about your relationship with really filmmakers in general, like how you approach working with directors, but also how does Robert Eggers sort of fit in the pantheon of people you've worked with?

The New Yorker Radio Hour
Willem Dafoe on “Nosferatu”

I wonder if you could speak about what's unique and special about your relationship with really filmmakers in general, like how you approach working with directors, but also how does Robert Eggers sort of fit in the pantheon of people you've worked with?