Adam Howard

You are so prolific. I mean, I think last year you were in seven films alone. It seems like you're, correct me if I'm wrong, but it seems like you're ramping up lately instead of slowing down. Is there a reason for that? Or you're just finding more projects that excite you?

You are so prolific. I mean, I think last year you were in seven films alone. It seems like you're, correct me if I'm wrong, but it seems like you're ramping up lately instead of slowing down. Is there a reason for that? Or you're just finding more projects that excite you?

Yeah. This past year, you mentioned the variety of the work you do. And you were in one of the biggest blockbuster type movies, Beetlejuice, Beetlejuice. And then you've been in sort of smaller, more intimate movies I've seen. You know, Saturday Night comes to mind. What do you think about the state of the theatrical moviegoing experience right now?

Yeah. This past year, you mentioned the variety of the work you do. And you were in one of the biggest blockbuster type movies, Beetlejuice, Beetlejuice. And then you've been in sort of smaller, more intimate movies I've seen. You know, Saturday Night comes to mind. What do you think about the state of the theatrical moviegoing experience right now?

Yeah. This past year, you mentioned the variety of the work you do. And you were in one of the biggest blockbuster type movies, Beetlejuice, Beetlejuice. And then you've been in sort of smaller, more intimate movies I've seen. You know, Saturday Night comes to mind. What do you think about the state of the theatrical moviegoing experience right now?

There's a lot of concern, obviously, post-COVID and with streaming kind of taking over. How do you feel about it?

There's a lot of concern, obviously, post-COVID and with streaming kind of taking over. How do you feel about it?

There's a lot of concern, obviously, post-COVID and with streaming kind of taking over. How do you feel about it?

On that upbeat note. Upbeat note. Sorry. Even doing things like this, like promoting this movie, doing interviews like these, I'm sure that's changed substantially since you got started in the business, just trying to raise awareness about a film. Can you speak to that and what that's been like for you?

On that upbeat note. Upbeat note. Sorry. Even doing things like this, like promoting this movie, doing interviews like these, I'm sure that's changed substantially since you got started in the business, just trying to raise awareness about a film. Can you speak to that and what that's been like for you?

On that upbeat note. Upbeat note. Sorry. Even doing things like this, like promoting this movie, doing interviews like these, I'm sure that's changed substantially since you got started in the business, just trying to raise awareness about a film. Can you speak to that and what that's been like for you?

Thank you so much, Willem, for doing this. I really appreciate it. It's been a thrill to talk to you. Okay.

Thank you so much, Willem, for doing this. I really appreciate it. It's been a thrill to talk to you. Okay.

Thank you so much, Willem, for doing this. I really appreciate it. It's been a thrill to talk to you. Okay.

Thank you so much.

Thank you so much.

Thank you so much.

Actor Willem Dafoe. His latest film, Nosferatu, improbably opens on Christmas Day. If you're going to see it, you might want to read the profile of director Robert Eggers, one of the most interesting young filmmakers in Hollywood. You can find it at newyorker.com. That's the New Yorker Radio Hour for today. Thank you for listening. David Remnick will be back next week.

Actor Willem Dafoe. His latest film, Nosferatu, improbably opens on Christmas Day. If you're going to see it, you might want to read the profile of director Robert Eggers, one of the most interesting young filmmakers in Hollywood. You can find it at newyorker.com. That's the New Yorker Radio Hour for today. Thank you for listening. David Remnick will be back next week.

Actor Willem Dafoe. His latest film, Nosferatu, improbably opens on Christmas Day. If you're going to see it, you might want to read the profile of director Robert Eggers, one of the most interesting young filmmakers in Hollywood. You can find it at newyorker.com. That's the New Yorker Radio Hour for today. Thank you for listening. David Remnick will be back next week.