Adam Howard

But I wonder if on behalf of this audience, who I know are all moving their fingers, would you teach me to play that song properly? I will, indeed, yes.

Is there a guitar? Could I get one?

Is there a guitar? Could I get one?

Is there a guitar? Could I get one?

Thank you.

Thank you.

Thank you.

So this is, so I'll take it home tonight. Now, we're in D, which Miles Davis said was the key that belonged to you.

So this is, so I'll take it home tonight. Now, we're in D, which Miles Davis said was the key that belonged to you.

So this is, so I'll take it home tonight. Now, we're in D, which Miles Davis said was the key that belonged to you.

The oracle had spoken. The oracle had spoken, so that's it. And D is your key. So we start on D. The sun is short, it's sinking down.

The oracle had spoken. The oracle had spoken, so that's it. And D is your key. So we start on D. The sun is short, it's sinking down.

The oracle had spoken. The oracle had spoken, so that's it. And D is your key. So we start on D. The sun is short, it's sinking down.

Hi, Kim. Hello. Good. So this is sort of like open mic night.

Hi, Kim. Hello. Good. So this is sort of like open mic night.

Hi, Kim. Hello. Good. So this is sort of like open mic night.

Welcome to the New Yorker Radio Hour. I'm Adam Howard, and we have a special treat for you this week, an episode on movie musicals from our friends at Critics At Large. That's the New Yorker's weekly culture podcast. Please enjoy.

Welcome to the New Yorker Radio Hour. I'm Adam Howard, and we have a special treat for you this week, an episode on movie musicals from our friends at Critics At Large. That's the New Yorker's weekly culture podcast. Please enjoy.

Welcome to the New Yorker Radio Hour. I'm Adam Howard, and we have a special treat for you this week, an episode on movie musicals from our friends at Critics At Large. That's the New Yorker's weekly culture podcast. Please enjoy.

Yeah, that's not the right question.