Adam Moss

Yeah, possibly never met. You know, Gregory Crutzen, who talked about his work as almost a mathematical formula from like William Eggleston to Ray Carver's short stories to David Lynch and Blue Velvet, some combination of people with sensibility that in his own mind came together. Describe what a Crutzen photo looks like. A Crutzen photo is a gigantic...

Yeah, possibly never met. You know, Gregory Crutzen, who talked about his work as almost a mathematical formula from like William Eggleston to Ray Carver's short stories to David Lynch and Blue Velvet, some combination of people with sensibility that in his own mind came together. Describe what a Crutzen photo looks like. A Crutzen photo is a gigantic...

Yeah, possibly never met. You know, Gregory Crutzen, who talked about his work as almost a mathematical formula from like William Eggleston to Ray Carver's short stories to David Lynch and Blue Velvet, some combination of people with sensibility that in his own mind came together. Describe what a Crutzen photo looks like. A Crutzen photo is a gigantic...

photograph that resembles a movie still, lit like a movie, with enough narrative portent, but with no before or after. So the viewer is meant to supply the narrative by looking at this picture and putting it into a context of his or her own imagination.

photograph that resembles a movie still, lit like a movie, with enough narrative portent, but with no before or after. So the viewer is meant to supply the narrative by looking at this picture and putting it into a context of his or her own imagination.

photograph that resembles a movie still, lit like a movie, with enough narrative portent, but with no before or after. So the viewer is meant to supply the narrative by looking at this picture and putting it into a context of his or her own imagination.

Yeah. I, in general, don't much care about the strict definitions of anything. This book is a book about artists, but really I've bent the term artist pretty much as far as it can go. And I also believe that about mentorship, which in the end, it doesn't matter.

Yeah. I, in general, don't much care about the strict definitions of anything. This book is a book about artists, but really I've bent the term artist pretty much as far as it can go. And I also believe that about mentorship, which in the end, it doesn't matter.

Yeah. I, in general, don't much care about the strict definitions of anything. This book is a book about artists, but really I've bent the term artist pretty much as far as it can go. And I also believe that about mentorship, which in the end, it doesn't matter.

Well, one interesting thing about the book was I kept looking for who is the person who encouraged you when you were young. They weren't necessarily the person who was by your side when you were an adult, but there had to be somebody who could be a parent, could be an art teacher, could be anybody, who basically saw something in them.

Well, one interesting thing about the book was I kept looking for who is the person who encouraged you when you were young. They weren't necessarily the person who was by your side when you were an adult, but there had to be somebody who could be a parent, could be an art teacher, could be anybody, who basically saw something in them.

Well, one interesting thing about the book was I kept looking for who is the person who encouraged you when you were young. They weren't necessarily the person who was by your side when you were an adult, but there had to be somebody who could be a parent, could be an art teacher, could be anybody, who basically saw something in them.

And that seeing was crucial to the development of their confidence that they could make the thing, which is, of course, confidence and what I, in the book, call faith, the faith that they are actually able to make the thing that's in their head, which they can't, but you have to believe you can in order to go forward.

And that seeing was crucial to the development of their confidence that they could make the thing, which is, of course, confidence and what I, in the book, call faith, the faith that they are actually able to make the thing that's in their head, which they can't, but you have to believe you can in order to go forward.

And that seeing was crucial to the development of their confidence that they could make the thing, which is, of course, confidence and what I, in the book, call faith, the faith that they are actually able to make the thing that's in their head, which they can't, but you have to believe you can in order to go forward.

Oh, seriously? Well, just the word sounds so ugly. It's so beautiful, the thing that it's describing. And the word itself is so crude, really.

Oh, seriously? Well, just the word sounds so ugly. It's so beautiful, the thing that it's describing. And the word itself is so crude, really.

Oh, seriously? Well, just the word sounds so ugly. It's so beautiful, the thing that it's describing. And the word itself is so crude, really.

I sound maddening from your description. I sound like I must have been just a horrible person to work for, but okay. Maddening maybe a little bit.

I sound maddening from your description. I sound like I must have been just a horrible person to work for, but okay. Maddening maybe a little bit.