Adam Scott

And I think, you know, usually when you go back and watch the first season of any show that you know and love, the first few episodes, it's like, okay, they're figuring it out. Uh-huh. Since we shot the season all at once, we were still shooting the first episode 10 months in. So something that worked in our favor is us finding our sea legs was spread out over the season.

And I think, you know, usually when you go back and watch the first season of any show that you know and love, the first few episodes, it's like, okay, they're figuring it out. Uh-huh. Since we shot the season all at once, we were still shooting the first episode 10 months in. So something that worked in our favor is us finding our sea legs was spread out over the season.

There's no moment you can detect that. And that's to Ben and Dan's credit.

There's no moment you can detect that. And that's to Ben and Dan's credit.

There's no moment you can detect that. And that's to Ben and Dan's credit.

Right, to keep our isolation. Yeah.

Right, to keep our isolation. Yeah.

Right, to keep our isolation. Yeah.

It's scary going back to anything that worked or works.

It's scary going back to anything that worked or works.

It's scary going back to anything that worked or works.

You know, when we started season two, it was like there is this steep mountain in front of us. Holy shit. OK, let's go. She's like doing Pulp Fiction 2. Dude. Yeah. And just the enormity of it. It's so much to do. And I love that. I love getting in and chipping away. And I love working with Ben. Something we have in common is we don't want to stop until we get it right.

You know, when we started season two, it was like there is this steep mountain in front of us. Holy shit. OK, let's go. She's like doing Pulp Fiction 2. Dude. Yeah. And just the enormity of it. It's so much to do. And I love that. I love getting in and chipping away. And I love working with Ben. Something we have in common is we don't want to stop until we get it right.

You know, when we started season two, it was like there is this steep mountain in front of us. Holy shit. OK, let's go. She's like doing Pulp Fiction 2. Dude. Yeah. And just the enormity of it. It's so much to do. And I love that. I love getting in and chipping away. And I love working with Ben. Something we have in common is we don't want to stop until we get it right.

I completely trust his taste and his eye. And that's something that you have to have in a director is complete trust. And how often is that? But I do with him.

I completely trust his taste and his eye. And that's something that you have to have in a director is complete trust. And how often is that? But I do with him.

I completely trust his taste and his eye. And that's something that you have to have in a director is complete trust. And how often is that? But I do with him.

With Totoro, I did because we had so many scenes together. With Walken, in season one, didn't really have all that much time with him. I had a couple scenes and it was incredible to just be anywhere near Christopher Walken. I couldn't fucking believe it. Yeah. Actually, on my first day shooting with both of them, it was like six weeks into the shoot and they both were starting on the same day.

With Totoro, I did because we had so many scenes together. With Walken, in season one, didn't really have all that much time with him. I had a couple scenes and it was incredible to just be anywhere near Christopher Walken. I couldn't fucking believe it. Yeah. Actually, on my first day shooting with both of them, it was like six weeks into the shoot and they both were starting on the same day.

With Totoro, I did because we had so many scenes together. With Walken, in season one, didn't really have all that much time with him. I had a couple scenes and it was incredible to just be anywhere near Christopher Walken. I couldn't fucking believe it. Yeah. Actually, on my first day shooting with both of them, it was like six weeks into the shoot and they both were starting on the same day.