Adam Scott

Right.

Right.

In season one, you had Mrs. Selvig as well. Was Mrs. Selvig like a place to kind of put everything she's not allowed to do in her regular life? Like it's just interesting. Yeah.

In season one, you had Mrs. Selvig as well. Was Mrs. Selvig like a place to kind of put everything she's not allowed to do in her regular life? Like it's just interesting. Yeah.

In season one, you had Mrs. Selvig as well. Was Mrs. Selvig like a place to kind of put everything she's not allowed to do in her regular life? Like it's just interesting. Yeah.

But a lame out that should work with your nosy neighbor. Like you don't need to come up with something better than that. Right, right. We also, we shot a scene in season one where we were driving together. You hit your ride with me on the way back from the funeral. We shot a scene where we're driving and you try holding hands with me, remember? Yeah.

But a lame out that should work with your nosy neighbor. Like you don't need to come up with something better than that. Right, right. We also, we shot a scene in season one where we were driving together. You hit your ride with me on the way back from the funeral. We shot a scene where we're driving and you try holding hands with me, remember? Yeah.

But a lame out that should work with your nosy neighbor. Like you don't need to come up with something better than that. Right, right. We also, we shot a scene in season one where we were driving together. You hit your ride with me on the way back from the funeral. We shot a scene where we're driving and you try holding hands with me, remember? Yeah.

shooting that oh yeah it was interesting it probably just ended up being like too much or something right right yeah we had this whole scene in the car yep which was which maybe we could use as a flashback or a fantasy of mark's i i would buy it

shooting that oh yeah it was interesting it probably just ended up being like too much or something right right yeah we had this whole scene in the car yep which was which maybe we could use as a flashback or a fantasy of mark's i i would buy it

shooting that oh yeah it was interesting it probably just ended up being like too much or something right right yeah we had this whole scene in the car yep which was which maybe we could use as a flashback or a fantasy of mark's i i would buy it

Okay, so Sweet Vitriol, Episode 8. This is a very different episode for Severance. It's the Harmony Cobell show, essentially. We get to follow her as she returns to her old home in Salt's Neck. Patricia, what was your first reaction when you read this particular script?

Okay, so Sweet Vitriol, Episode 8. This is a very different episode for Severance. It's the Harmony Cobell show, essentially. We get to follow her as she returns to her old home in Salt's Neck. Patricia, what was your first reaction when you read this particular script?

Okay, so Sweet Vitriol, Episode 8. This is a very different episode for Severance. It's the Harmony Cobell show, essentially. We get to follow her as she returns to her old home in Salt's Neck. Patricia, what was your first reaction when you read this particular script?

Yeah, how it like hardens people. How did you find that Newfoundland would be the perfect salt neck?

Yeah, how it like hardens people. How did you find that Newfoundland would be the perfect salt neck?

Yeah, how it like hardens people. How did you find that Newfoundland would be the perfect salt neck?

It has a vastness to it.

It has a vastness to it.

It has a vastness to it.