Adrien Brody

You know, I guess the trend is to build a TV studio and have several people in there operating things, making sure that people are situated properly and they have to make sure that they look all right. And I think it's kind of a deterrent to a type of intimate conversation. But, you know, what do I know other than this is what we do? This is the organic conversation. Audio only. Picture it.

Feel it. Just take it in like that. You can kind of do other things and just sort of focus on the voice. There is something about it. There is something about the nature of audio that is very intimate. Und das ist einer der Gründe, warum wir es immer noch so machen.

Feel it. Just take it in like that. You can kind of do other things and just sort of focus on the voice. There is something about it. There is something about the nature of audio that is very intimate. Und das ist einer der Gründe, warum wir es immer noch so machen.

Feel it. Just take it in like that. You can kind of do other things and just sort of focus on the voice. There is something about it. There is something about the nature of audio that is very intimate. Und das ist einer der Gründe, warum wir es immer noch so machen.

Und für diejenigen, die es nicht wissen, ich bin in meinem Haus, in meinem sortierten konvertierten Garage, der neue, nicht der original, hier mit meinen eigenen Faders, niemand anderes im Studio mit mir, verbrannt von diesen Soundpanels, die ein Kind mir gemacht hat. A few pictures, a few guitars, some leftover bits and pieces from the original garage, which was cluttered with all kinds of shit.

Und für diejenigen, die es nicht wissen, ich bin in meinem Haus, in meinem sortierten konvertierten Garage, der neue, nicht der original, hier mit meinen eigenen Faders, niemand anderes im Studio mit mir, verbrannt von diesen Soundpanels, die ein Kind mir gemacht hat. A few pictures, a few guitars, some leftover bits and pieces from the original garage, which was cluttered with all kinds of shit.

Und für diejenigen, die es nicht wissen, ich bin in meinem Haus, in meinem sortierten konvertierten Garage, der neue, nicht der original, hier mit meinen eigenen Faders, niemand anderes im Studio mit mir, verbrannt von diesen Soundpanels, die ein Kind mir gemacht hat. A few pictures, a few guitars, some leftover bits and pieces from the original garage, which was cluttered with all kinds of shit.

And it's just one-on-one here. I don't know, for me, it's very engaging and sort of honest stuff. for me, in terms of how we go about doing things with this show. And today I talked to Adrian Brody. He came over. It's a very odd thing, the way people come over here. And it always has been. I mean, now everyone's very adept to the podcast landscape and everybody kind of has a podcast.

And it's just one-on-one here. I don't know, for me, it's very engaging and sort of honest stuff. for me, in terms of how we go about doing things with this show. And today I talked to Adrian Brody. He came over. It's a very odd thing, the way people come over here. And it always has been. I mean, now everyone's very adept to the podcast landscape and everybody kind of has a podcast.

And it's just one-on-one here. I don't know, for me, it's very engaging and sort of honest stuff. for me, in terms of how we go about doing things with this show. And today I talked to Adrian Brody. He came over. It's a very odd thing, the way people come over here. And it always has been. I mean, now everyone's very adept to the podcast landscape and everybody kind of has a podcast.

But there is still something interesting and disarming and I think genuine about coming over to a guy's house Sehen, wo er lebt. In der Bathroom hier. In der Garage. Vielleicht habe ich dir einen Kaffee oder etwas gemacht. It's still a very kind of personal environment. But Adrian came over.

But there is still something interesting and disarming and I think genuine about coming over to a guy's house Sehen, wo er lebt. In der Bathroom hier. In der Garage. Vielleicht habe ich dir einen Kaffee oder etwas gemacht. It's still a very kind of personal environment. But Adrian came over.

But there is still something interesting and disarming and I think genuine about coming over to a guy's house Sehen, wo er lebt. In der Bathroom hier. In der Garage. Vielleicht habe ich dir einen Kaffee oder etwas gemacht. It's still a very kind of personal environment. But Adrian came over.

He's actually the youngest person to win the Oscar for Best Actor back in 2003 for his performance in The Pianist. He's been in movies like King Kong, Midnight in Paris and five Wes Anderson films, as well as a television series like Succession, Peaky Blinders and Winning Time. He's now in the new epic The Brutalist, which is out now. Pretty stunning movie.

He's actually the youngest person to win the Oscar for Best Actor back in 2003 for his performance in The Pianist. He's been in movies like King Kong, Midnight in Paris and five Wes Anderson films, as well as a television series like Succession, Peaky Blinders and Winning Time. He's now in the new epic The Brutalist, which is out now. Pretty stunning movie.

He's actually the youngest person to win the Oscar for Best Actor back in 2003 for his performance in The Pianist. He's been in movies like King Kong, Midnight in Paris and five Wes Anderson films, as well as a television series like Succession, Peaky Blinders and Winning Time. He's now in the new epic The Brutalist, which is out now. Pretty stunning movie.

A pretty kind of confounding premise and scope of a movie. I mean, the thing I had no idea came out of nowhere. Hopefully I'm going to get to talk to that director. I like talking to directors. I had Mike Lee in here a few days ago. You'll hear that on Thursday. Mike Lee, truly one of the greatest directors.

A pretty kind of confounding premise and scope of a movie. I mean, the thing I had no idea came out of nowhere. Hopefully I'm going to get to talk to that director. I like talking to directors. I had Mike Lee in here a few days ago. You'll hear that on Thursday. Mike Lee, truly one of the greatest directors.

A pretty kind of confounding premise and scope of a movie. I mean, the thing I had no idea came out of nowhere. Hopefully I'm going to get to talk to that director. I like talking to directors. I had Mike Lee in here a few days ago. You'll hear that on Thursday. Mike Lee, truly one of the greatest directors.

Direktoren, die völlig einzigartig sind in ihrem Prozess und was er ableiten kann, und was er ableiten kann, aus Schauspielern zu kommen. Und in den Kollaborationen, die er macht, gibt es eine echte Ehrlichkeit dazu und eine echte Pathos und eine echte Komödie dazu. Ja, ich glaube, ich werde mehr über ihn am Dienstag sprechen.