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I wanted to take the baton from Gloria. To fight to make some movement on this case. To be the fresh set of eyes that caught something everyone else had missed. But the truth is, that's all I was able to do. Carry it for a while. I didn't deliver the moment she'd been waiting for since that frigid December night. The reality of cold cases is, something has to shift.

I wanted to take the baton from Gloria. To fight to make some movement on this case. To be the fresh set of eyes that caught something everyone else had missed. But the truth is, that's all I was able to do. Carry it for a while. I didn't deliver the moment she'd been waiting for since that frigid December night. The reality of cold cases is, something has to shift.

A witness has to remember differently. The right person has to start talking, or the wrong person has to slip up. At 95 years old, Gloria's well aware she may not see the day Sandra's held accountable.

A witness has to remember differently. The right person has to start talking, or the wrong person has to slip up. At 95 years old, Gloria's well aware she may not see the day Sandra's held accountable.

A witness has to remember differently. The right person has to start talking, or the wrong person has to slip up. At 95 years old, Gloria's well aware she may not see the day Sandra's held accountable.

That's my hope. Justice isn't a straight line. It twists and turns, stops and starts, stumbles and backtracks. I'll never stop fighting to uncover what happened. It's unsettling to think that maybe, after all this time, the only thing standing between the truth and the people who have fought for it is the woman herself.

That's my hope. Justice isn't a straight line. It twists and turns, stops and starts, stumbles and backtracks. I'll never stop fighting to uncover what happened. It's unsettling to think that maybe, after all this time, the only thing standing between the truth and the people who have fought for it is the woman herself.

That's my hope. Justice isn't a straight line. It twists and turns, stops and starts, stumbles and backtracks. I'll never stop fighting to uncover what happened. It's unsettling to think that maybe, after all this time, the only thing standing between the truth and the people who have fought for it is the woman herself.

Sandra has always been the keeper of her own secrets, the architect of her own legend, the woman who charmed her way into high society, wrapped men around her finger, and more often than not, slipped through the cracks. But even Sandra cannot run the inevitable.

Sandra has always been the keeper of her own secrets, the architect of her own legend, the woman who charmed her way into high society, wrapped men around her finger, and more often than not, slipped through the cracks. But even Sandra cannot run the inevitable.

Sandra has always been the keeper of her own secrets, the architect of her own legend, the woman who charmed her way into high society, wrapped men around her finger, and more often than not, slipped through the cracks. But even Sandra cannot run the inevitable.

And what would that mean for Sandra? She will have gone to her grave without ever being convicted of a murder. She will have gotten away with it. But perhaps justice can be just as poetic as it's been elusive. Because if truth comes out after she's six feet under, she won't be around to spin the story. And for a woman like Sandra Bridewell, that may be the greatest punishment of all.

And what would that mean for Sandra? She will have gone to her grave without ever being convicted of a murder. She will have gotten away with it. But perhaps justice can be just as poetic as it's been elusive. Because if truth comes out after she's six feet under, she won't be around to spin the story. And for a woman like Sandra Bridewell, that may be the greatest punishment of all.

And what would that mean for Sandra? She will have gone to her grave without ever being convicted of a murder. She will have gotten away with it. But perhaps justice can be just as poetic as it's been elusive. Because if truth comes out after she's six feet under, she won't be around to spin the story. And for a woman like Sandra Bridewell, that may be the greatest punishment of all.

Not only will you immediately unlock all episodes of this show, but you'll get binge access to an entire network of other great true crime and investigative podcasts, all ad-free. Plus, on the first of every month, subscribers get a binge drop of a brand new series. That's all episodes, all at once. Search for The Binge on Apple Podcasts and hit subscribe at the top of the page. Not on Apple?

Not only will you immediately unlock all episodes of this show, but you'll get binge access to an entire network of other great true crime and investigative podcasts, all ad-free. Plus, on the first of every month, subscribers get a binge drop of a brand new series. That's all episodes, all at once. Search for The Binge on Apple Podcasts and hit subscribe at the top of the page. Not on Apple?

Not only will you immediately unlock all episodes of this show, but you'll get binge access to an entire network of other great true crime and investigative podcasts, all ad-free. Plus, on the first of every month, subscribers get a binge drop of a brand new series. That's all episodes, all at once. Search for The Binge on Apple Podcasts and hit subscribe at the top of the page. Not on Apple?

Head to getthebinge.com to access wherever you listen. Fatal Beauty is an original production of Sony Music Entertainment. It was hosted and reported by me, Cooper Mall. Catherine St. Louis is our story editor. Jonathan Hirsch is our executive producer. Sound design and mixing by Josh Hahn. We use music from APM and Epidemic Sound. Our associate producer is Zoe Kolkin.

Head to getthebinge.com to access wherever you listen. Fatal Beauty is an original production of Sony Music Entertainment. It was hosted and reported by me, Cooper Mall. Catherine St. Louis is our story editor. Jonathan Hirsch is our executive producer. Sound design and mixing by Josh Hahn. We use music from APM and Epidemic Sound. Our associate producer is Zoe Kolkin.

Head to getthebinge.com to access wherever you listen. Fatal Beauty is an original production of Sony Music Entertainment. It was hosted and reported by me, Cooper Mall. Catherine St. Louis is our story editor. Jonathan Hirsch is our executive producer. Sound design and mixing by Josh Hahn. We use music from APM and Epidemic Sound. Our associate producer is Zoe Kolkin.