Aisha Harris

I'm not sure if it answers all of those, but I do think what I love about this is that this is one of the better dramatic interpretations of ideas around quote unquote cancel culture and around generational divides between artists and between people in general.

And what I really appreciate about this film is the fact that it tries to do those things

but it also does things in a Soderbergh way.

Like I think Soderbergh is one of my favorite filmmakers.

If you look at his entire sort of catalog, he has done almost every kind of movie you could possibly think of, like maybe except like a Western or something, but he's done heist movies and this is a heist movie, but it's not a heist movie.

And that is for me, it's a quiet movie.

It's not oceans 11.

It's not flashy.

And what I love about it is that quietness, that stillness and that,

I also will say, I think many of us like to sort of hate on James Corden for legit reasons.

Like he's actually perfectly cast here.

Just the right amount of him.

And also he's leaning into like smarm in a way that works.

Yeah.

Really well.

Well, I think it's also just like, yes, it's part of that, as Linda was saying, it's him trying to test her out.

But also, he's just like a very suspicious person.

You know, like he despises.

He has so much dripping, oozing content for his two children.

Like,