Alex Ritson

We also heard recently it's even developing an AI version of Mark Zuckerberg himself to give employees feedback. So all this makes for a lower staff count and one that's predicted to drop further. Yeah, and you mentioned eye-watering spending on AI. Where's all this gaffe?

Kyllä, ympäristöympäristö. Suurin osa sitä on META'sin agressiivinen käsitys datacentereihin. Nämä ovat tullut myöhemmin paljon kritiikkoja, koska heidän vaikutuksensa ympäristöön, suurin osa vettä ja eläkehitystä, joita käytetään. Ne voivat olla ympäristöympäristöä tai pientä kaupunkia, joilla on miljoonia palveluja, joilla voi harjoitella AI.

Ja kun Meta loppuu näitä töitä, kuten jo mainitsimme, se laittaa rahaa yhdessä yhdistämään parhaat AI-engineerit. Olemme puhumassa täällä Superstar Footballer-tyyppisiä tarjoajia. Katsottiin viime vuonna 100 miljoonan dollarin tarjoajia Open AIin parhaat taiteilijat. Tämä on ChatGPTin tehtävä, tietysti. Mutta yleinen kuvauksena tässä on se, että artificial general intelligence, tai AGI, joka on aina aivan tärkein AI-tyyppi, jota kaikki nämä parhaat AI-tyyppiset ovat menossa.

often defined as developing AI that can surpass human cognitive ability in every area. Of course, we're not quite there yet, but we know meta is a little behind its rivals, like OpenAI, Google, Ananthropic, and what we're seeing here is Mark Zuckerberg trying to close that gap. Alfie Habershon. Still to come in this podcast. Eventually, Mr. Ralph Martin has found out that his place is taken by a nine-year-old

RAKMANENOV

This is the Global News Podcast. When dinosaurs dominated the earth millions of years ago, giant octopuses roamed through the oceans. That's according to a new study which found that these gigantic invertebrates may have been among the top predators of the seas a hundred million years ago. The research, published in the journal Science, questions what is known about underwater life back then, as our science reporter Helen Briggs explains.

The climbing season at the world's highest mountain is just getting underway, but the route to the top of Everest is blocked. A large chunk of glacier has lodged itself on the path just under Camp 1. The block of ice is 30 metres high, and now the Nepali Department of Tourism is trying to find alternative ways for the climbers to reach the summit. Our environment correspondent Navin Singh Khadkar told my colleague Oliver Conway more about the problem.

The Sherpas who fix the ropes and ladders, they are known as icefall doctors, they have been monitoring it and unfortunately nothing has happened. They were expecting this thing to move or melt or anything, but that hasn't happened and it's quite tall, this wall of ice.

He eivät olleet vahvistaneet sitä, eivät olleet käsitelleet sitä. Varminta on se, että jos he käyvät näin ja koskevat jotain, voisi olla liikkuvuus ja se voisi jäädä. Varminta on myös se, että viimeisenä vuonna 2023 samanlainen serak jäi ylös kiviin ja se vaikuttaa avalanssiin ja tappoi kolme Shepardin rauhaa. Kun puhun heille, heillä on erittäin uusia muistoja siitä ja he ovat melko rauhoittuneet.

And how did this block of ice get there? Did it fall down from above? No, what we need to understand here is the Khumbu Icefall, that's a massive stretch. As soon as you climb above Everest Base Camp, you reach this Khumbu Icefall, which is the most treacherous part when you are climbing Everest from the Nepalese side. So what happens is, because it's a moving glacier, the Khumbu Glacier, that you get all sort of these things, you know, like things come up, appear here,

reapear, disappear, they melt, so there are crevasses, there are seracs, there are blocks of ice appearing, reappearing. Now unfortunately this time around, this has appeared right above the route heading to Camp 1, and the fear is it might come down anytime, and again triggering avalanches, or even rockfalls or whatever. So how much of a delay is this causing, and how disruptive is it to the climbing season on Everest?

Going by past experiences, by now they should have fixed the ropes and ladders and climbers who have assembled at the base camp, they should have started acclimatizing up to camp one. Now because of this delay, the fear is that there might be a traffic jam and that might cause other risks. That is the real concern now.

Ja voivatko he tehdä mitään muuta kuin odottaa, että tämä pysyvän iso kuuluu? Tämä on se, mitä kaikki ymmärtävät. Oikeudet eivät tullut selvästi. He sanovat, että on plan B, eikä kukaan tiedä, mitä se on. Mutta kun puhun yritysten ihmisistä, työntekijöistä tai opettajista, he sanovat, että voi olla kaksi asiaa.

One is they could use strong drones to transport the equipment and all those things to higher camps. And they might even use helicopters to ferry those climbers to those camps, camp one or so. Again, it might be controversial. It is controversial already, you know, using helicopters and all that. But given the situation like this, you know, it might be a possibility. But nothing official as of yet. These are options being discussed. We are yet to see if it really happens.

Navin Singh Khadka. A pianist who was the last surviving pupil of the composer Sergei Rachmaninoff has died at the age of 101. Born in California to Polish parents, Ruth Slenczynska gave her first recital at the age of four.

and made her debut with a full orchestra in Paris aged seven. She was heralded as one of the greatest child prodigies since Mozart, but briefly turned her back on her music career in protest at her tyrannical father's rules. Our media and arts correspondent David Sillito looks back at her career.

Pianisti Ruth Slinchinska soittaa Rachmaninoffia, jonka yhteisö alkoi 1930-luvulla. Suomalaisen komposa oli pitänyt pohtia konsertin, ja puheenjohtaja meni tutkimaan joku, joka voisi ottaa hänen paikansa. Hän kysyi isäni, jos voin soittaa hänet. Ja minä tein. Ja lopulta...

Ja Rachmaninoff's new student was already a veteran of the concert circuit. Here she is. Aged five.

pressure from her father to practice nine hours a day led to her running away from home when she was 15. She was in her late 20s when she returned to performing, and it was only in later life that she said she truly came into her own. Nobody becomes a pianist until they're really back the age of 60, because you don't know what you want until then. Indeed, this recording of Chopin was from a recording deal that she signed in

David Sillito.