Alex Ross Perry

There's so much stuff in the middle of the movie where like, just his eye is so great.

Like his, some of the, like, this is a guy, Peter Weir, you know, he's making people wait around to get a 10 second shot at sunset.

Totally.

You know he's making everyone stand in one place for 45 minutes until the sun is perfect for a shot that serves no narrative purpose.

And Ed Harris is there, like, shadowboxing, being like, this is what we're here for.

Like survival.

That's what I was going to ask these two.

Prison break movies.

Because you're talking about The Revenant, which doesn't occur to me at all.

I'm watching this thinking like Papillon, Runaway Train.

Sure.

I'm thinking of like people who break out of jail and the movie is like, if you don't keep moving, you will get caught and you will die.

I do love hiking.

I don't think you'd want to leave.

That's actually not a bad thing.

I feel like Griffin's role in the way back is kind of Rob Schneider and Judge Dredd where you're just walking across the wasteland and everyone's like, this guy is still talking.

That's the meanest thing you've ever said to me.

If you were in the way back, not in real life, but if it was life or death, I think that would be the vibe you bring.

He talks about escaping as a way to kind of get through the days.

Or you'd be like Mr. Burns when it's the Flying Hellfish flashback, and he wakes up on the cot, and they're like, hey, you're not dead.