Alexandre Tannous

Beautiful. Your ability on the didgeridoo came handy and I could hear the didgeridoo start singing. Exactly that. Exactly. Anyone can do it. You just need to be more patient and do it slowly.

Beautiful. Your ability on the didgeridoo came handy and I could hear the didgeridoo start singing. Exactly that. Exactly. Anyone can do it. You just need to be more patient and do it slowly.

Don't move through the harmonics very quickly, which means don't start to move the tongue very quickly, very slow first, just to get the hang of it and to know the placement that this tongue has to be in exactly the right place for the right echo chamber to amplify naturally that specific harmonic. If you move too quickly, you're gonna miss it.

Don't move through the harmonics very quickly, which means don't start to move the tongue very quickly, very slow first, just to get the hang of it and to know the placement that this tongue has to be in exactly the right place for the right echo chamber to amplify naturally that specific harmonic. If you move too quickly, you're gonna miss it.

Don't move through the harmonics very quickly, which means don't start to move the tongue very quickly, very slow first, just to get the hang of it and to know the placement that this tongue has to be in exactly the right place for the right echo chamber to amplify naturally that specific harmonic. If you move too quickly, you're gonna miss it.

And it has to be just the right space because it's related to physics. Anyone can do it. Now, how did you feel after having done that? Let's talk about

And it has to be just the right space because it's related to physics. Anyone can do it. Now, how did you feel after having done that? Let's talk about

And it has to be just the right space because it's related to physics. Anyone can do it. Now, how did you feel after having done that? Let's talk about

Exactly. Exactly. it becomes more powerful for producing your sound because you're no longer experiencing the sound from an auditory standpoint, but you're also experiencing through bone and tissue conduction. That means your skull, your jaws, your lips, your tongue, your cheeks, your neck, your chest, and the rest of your body, but you feel these areas that are close to the source the most.

Exactly. Exactly. it becomes more powerful for producing your sound because you're no longer experiencing the sound from an auditory standpoint, but you're also experiencing through bone and tissue conduction. That means your skull, your jaws, your lips, your tongue, your cheeks, your neck, your chest, and the rest of your body, but you feel these areas that are close to the source the most.

Exactly. Exactly. it becomes more powerful for producing your sound because you're no longer experiencing the sound from an auditory standpoint, but you're also experiencing through bone and tissue conduction. That means your skull, your jaws, your lips, your tongue, your cheeks, your neck, your chest, and the rest of your body, but you feel these areas that are close to the source the most.

And that's how we experience our voice, through audio and bone and tissue conduction. This is why people, when they listen to their voice on a recording for the first time, like the answering machine, everybody reacts the same way. That doesn't sound like me. Yeah, dude, that's how people hear you. You don't hear yourself like that.

And that's how we experience our voice, through audio and bone and tissue conduction. This is why people, when they listen to their voice on a recording for the first time, like the answering machine, everybody reacts the same way. That doesn't sound like me. Yeah, dude, that's how people hear you. You don't hear yourself like that.

And that's how we experience our voice, through audio and bone and tissue conduction. This is why people, when they listen to their voice on a recording for the first time, like the answering machine, everybody reacts the same way. That doesn't sound like me. Yeah, dude, that's how people hear you. You don't hear yourself like that.

You hear yourself at the same time in combination of auditory and bone and tissue conduction. Except here, because it's recorded, it's only auditory. So the harmonics are different.

You hear yourself at the same time in combination of auditory and bone and tissue conduction. Except here, because it's recorded, it's only auditory. So the harmonics are different.

You hear yourself at the same time in combination of auditory and bone and tissue conduction. Except here, because it's recorded, it's only auditory. So the harmonics are different.

You see how reality is created differently and how acoustics are always, they have a hand in there that changed the perception, changed the way. You keep following that and understanding the constructs around the physics of sound acoustics, you get the gold. you get to the logos, you get to different reality, you get to different set of harmonies or different ethos and pathos.

You see how reality is created differently and how acoustics are always, they have a hand in there that changed the perception, changed the way. You keep following that and understanding the constructs around the physics of sound acoustics, you get the gold. you get to the logos, you get to different reality, you get to different set of harmonies or different ethos and pathos.

You see how reality is created differently and how acoustics are always, they have a hand in there that changed the perception, changed the way. You keep following that and understanding the constructs around the physics of sound acoustics, you get the gold. you get to the logos, you get to different reality, you get to different set of harmonies or different ethos and pathos.