Allison Jones

I assume they're called sides because it's two sides of a playbill or something. I never figured that out.

I assume they're called sides because it's two sides of a playbill or something. I never figured that out.

I assume they're called sides because it's two sides of a playbill or something. I never figured that out.

We'll find out for the fact check. I think it has to do with one side, two sides of something. Interesting.

We'll find out for the fact check. I think it has to do with one side, two sides of something. Interesting.

We'll find out for the fact check. I think it has to do with one side, two sides of something. Interesting.

That happened way before we came into streaming. I mean, managers started getting busy on us about 25 years ago. I think actors, for some reason, they decided they needed an attorney, they needed a manager, they needed an agent as well.

That happened way before we came into streaming. I mean, managers started getting busy on us about 25 years ago. I think actors, for some reason, they decided they needed an attorney, they needed a manager, they needed an agent as well.

That happened way before we came into streaming. I mean, managers started getting busy on us about 25 years ago. I think actors, for some reason, they decided they needed an attorney, they needed a manager, they needed an agent as well.

And so I remember sometime in the 90s when suddenly the breakdowns, which is a service that sends to agents the parts that we're casting and then they submit handouts.

And so I remember sometime in the 90s when suddenly the breakdowns, which is a service that sends to agents the parts that we're casting and then they submit handouts.

And so I remember sometime in the 90s when suddenly the breakdowns, which is a service that sends to agents the parts that we're casting and then they submit handouts.

Yes, exactly. And that is how they disseminated the casting calls, basically, for every new project that came along. It was breakdown. There's kind of a monopoly on that one company. Suddenly, for some reason, I remember the first manager I ever heard of was Keith Addis, who represented Sting. He never would bother any of us, but it was like, oh, what does a manager do?

Yes, exactly. And that is how they disseminated the casting calls, basically, for every new project that came along. It was breakdown. There's kind of a monopoly on that one company. Suddenly, for some reason, I remember the first manager I ever heard of was Keith Addis, who represented Sting. He never would bother any of us, but it was like, oh, what does a manager do?

Yes, exactly. And that is how they disseminated the casting calls, basically, for every new project that came along. It was breakdown. There's kind of a monopoly on that one company. Suddenly, for some reason, I remember the first manager I ever heard of was Keith Addis, who represented Sting. He never would bother any of us, but it was like, oh, what does a manager do?

Anyway, so then for some reason, there was just like an onslaught of managers who started to call us. You'd have an agent calling about the same client that a manager would call about.

Anyway, so then for some reason, there was just like an onslaught of managers who started to call us. You'd have an agent calling about the same client that a manager would call about.

Anyway, so then for some reason, there was just like an onslaught of managers who started to call us. You'd have an agent calling about the same client that a manager would call about.

Young River Phoenix was.

Young River Phoenix was.