Allison Jones

And it was probably about 2003, because I remember I just finished the pilot of The Office, and Mitch Hurwitz had asked me to do the pilot of Arrested Development, and I couldn't do two pilots at once. It was too torture, so I couldn't do the pilot. Deb Borilski did the pilot. Many podcasts name me as the person who did the pilot of Arrested. I just did the seasons.

And it was probably about 2003, because I remember I just finished the pilot of The Office, and Mitch Hurwitz had asked me to do the pilot of Arrested Development, and I couldn't do two pilots at once. It was too torture, so I couldn't do the pilot. Deb Borilski did the pilot. Many podcasts name me as the person who did the pilot of Arrested. I just did the seasons.

After season one, she did the pilot, and a beautiful job she did. Oh, my God.

After season one, she did the pilot, and a beautiful job she did. Oh, my God.

After season one, she did the pilot, and a beautiful job she did. Oh, my God.

I was doing a pilot. John Landgraf was the producer. It was FX, the early days of those places, like FX. And it was called Dix, D-I-C-K-S. And I just remember thinking Dax, D-A-X. That's a lot. But you came in and you were very good. And I remember thinking, oh, wow.

I was doing a pilot. John Landgraf was the producer. It was FX, the early days of those places, like FX. And it was called Dix, D-I-C-K-S. And I just remember thinking Dax, D-A-X. That's a lot. But you came in and you were very good. And I remember thinking, oh, wow.

I was doing a pilot. John Landgraf was the producer. It was FX, the early days of those places, like FX. And it was called Dix, D-I-C-K-S. And I just remember thinking Dax, D-A-X. That's a lot. But you came in and you were very good. And I remember thinking, oh, wow.

This is exciting.

This is exciting.

This is exciting.

Of course, I remember specifically the agent pitching you when it was Endeavor. Greg Siegel it would have been. Yes, he would have said the guy from Punk, which of course I didn't know what it was.

Of course, I remember specifically the agent pitching you when it was Endeavor. Greg Siegel it would have been. Yes, he would have said the guy from Punk, which of course I didn't know what it was.

Of course, I remember specifically the agent pitching you when it was Endeavor. Greg Siegel it would have been. Yes, he would have said the guy from Punk, which of course I didn't know what it was.

But I had known Ashton Kutcher because there's all these stories that you could connect everybody to everything when you start out.

But I had known Ashton Kutcher because there's all these stories that you could connect everybody to everything when you start out.

But I had known Ashton Kutcher because there's all these stories that you could connect everybody to everything when you start out.

I had met him on a wonderful pilot called Advances in Chemistry that the very brilliant Richie Rosenstock did again ahead of its time. But he came in to audition for The Handsome Kid. And he didn't get it because God bless him at the time, not an actor. He was only 20 or 19. And then Meg Lieberman brought him in for that 70s show. And the rest is history. Within like two days.

I had met him on a wonderful pilot called Advances in Chemistry that the very brilliant Richie Rosenstock did again ahead of its time. But he came in to audition for The Handsome Kid. And he didn't get it because God bless him at the time, not an actor. He was only 20 or 19. And then Meg Lieberman brought him in for that 70s show. And the rest is history. Within like two days.

I had met him on a wonderful pilot called Advances in Chemistry that the very brilliant Richie Rosenstock did again ahead of its time. But he came in to audition for The Handsome Kid. And he didn't get it because God bless him at the time, not an actor. He was only 20 or 19. And then Meg Lieberman brought him in for that 70s show. And the rest is history. Within like two days.