Andrew Levitas

And so like me and two or three other kids from like private school, Manhattan were asked to audition.

And so I did prep for that and I did meet him.

And I remember it was the day of the earthquake in LA was when I met him in

in New York at Warner's.

And I remember walking in and seeing like the big WB and something like, wow, this is pretty cool.

I can't be like, this could actually happen.

I might be Robin.

How crazy.

Anyway, it didn't happen.

But that was the only other, like get out there and audition and try out before it all sort of ticked over.

Wow.

We know that you also paint, but you're best known for your signature technique in metal and photography.

How did that become your medium?

So I always felt that photography, let me repeat, when I started and I was in a dark room and I was, I don't know, 12 years old, 14 years old, and you're in the dark room, we still didn't have iPhones.

There may have been some version of a digital camera, but it wasn't something that everyone was running around with.

And so I felt at the time when I was learning and making prints that that was a finished product, right?

It was something that was like done.

You touched it, you'd done it.

And then as all this, everyone became a photographer.

Everyone could just snap unlimited photos until you stopped watching the world and you just, you know, just hold down the trigger or whatever.