Andrew Scott

I think it increases.

You know, I think if you get, because when you're in Ireland, you just, you don't think about it.

But when you're outside, if you're an Irish person outside of Ireland, you're much more aware, I think, of your Irishness than you would be, of course, if you were just surrounded by everybody else.

Other babbling Irishness.

Other babbling people.

Mildly depressed, but also euphoric people.

Euphoric people.

And I think, and I do think there is a, there's a, a reliance on storytelling and, you know, babbling and being funny because it keeps the people alive.

It completely keeps the people alive.

So if everybody's emigrated, the way you talk about them is you create this stuff about them and you create, you keep them in the room.

You know what I mean?

So I do think I was just back there filming actually in Ireland for the first time in a long time, actually.

And everybody's funny.

Yeah.

Everybody's funny.

Step it up.

It's the language.

Yeah, it is.

It's the use of language.

So I need to say this right up front.