Andrew Scott

Whereas if you've got too much...

you know, stuff, they think, oh, well, that's, that's not, that's not something, anything to do with me.

That's just something that I can be impressed by, but not necessarily connected to.

I don't know.

It's a, it's a, it's a, so the grand scheme of a big theater juxtaposed with just a one tiny human performer is sort of beautiful to me as well.

You know what I mean?

Yeah.

I, uh, you will keep getting these opportunities to do, you know, movies and all kinds of projects you want, but I love that you're saying, yeah, this is what I need.

Yeah.

I need this.

I need to be in these live productions because that's just, it's like touching home base.

You just got to touch it.

That's exactly what it is.

And that's when we did Vanya, you know, that, that one of the beautiful things about that was because that's, you know, Chekhov and, um,

Very serious high art.

And Chekhov is so funny, like genuinely so funny.

And it's a kind of ridiculous idea that, and it started as a mistake.

We thought there's eight characters in the show and I was reading with the director and the writer and we sort of allocated the parts and we were just reading because I was just going to play one part and we were like, oh, which part might it be?

And we were sort of playing, the three of us were playing all the roles and we sort of misallocated the roles.

So I ended up sort of going, wait, are you?