Andy Greenwald

But everything is an opportunity to tell a story.

And when you put things in a house that just has these

as like inconsistent room to room without committing to the bit that every member of this family lives in his or her own psychological slash physical space, which is a choice.

But make the choice so that when you're in the kitchen and over the son's shoulder, when you see him taking out like energy drinks for his mystery night out,

On the table, there is a beautiful piece of sourdough with two slices cut and like spilling open as if you're waiting to celebrate the breakfast at this Airbnb and it's been cut for you.

I'm like, that was a choice you made and you didn't pay attention to it.

It's giving us this sort of like moneyed laziness when I want every frame to compelling and tell us a story.

And you were praising the directors.

I put some of this on Morton Tilden.

I don't know the man.

Yeah.

He makes a beautiful picture and he keeps things moving and he does seem to understand the assignment.

But there's an element of this, and I apologize, especially to my friends who just returned from Scandinavia, but you hired a Norwegian to give us like sweaty Southern funk.

It's kind of like me going horseback riding, which is in the sense that I've seen people ride horses before.

and I could probably be lifted up onto the horse.

And in a still photo or two, I might look like I know what I'm doing.

It's kind of that vibe.

It is a sterile and professional recreation of something without the stench and the funk.

Yes, it's everything he does is a provocation.

Now, I genuinely, good faith, I'm curious about this.