Anne Imhof

There's almost every artist that's not me that I admire because they can do different things than I do.

I have different eyes on the world, which is, I think, what's good about art.

There are definitely a couple of artists that I admire, especially maybe Cameron Rowland is one of them because he's like...

found a way of being in the commodity culture of the art or in the value system of the art world in a very meaningful way when it comes to his work and what he's talking about in his work.

I don't know his oeuvre that well, or I've never really spoken to him personally, but for me, there's something he solved that I'm struggling with.

And that is like making art that derives from heritage or like from your own experience with that work.

that is like difficult to sell because you would sell it's not you it's like other people's history and heritage by nature in a way and then it becomes difficult to make work about that even though you're a part of that because you can't really like sell that then or at least I struggle with it a lot

And he solved that.

And I am really like in awe of that.

Same as, for example, Tino solved value system of the ephemeral.

And I love his work.

Like I love the work of AJ, I think, because I have a bit.

Yeah, I'm friends with that I admire both in the art world.

And I think also with me, it doesn't really stop with the genre of art.

So like, I think Steve Lacey is one of the most exceptional musical artists right now.

I love the work of A. Young Kim that I just saw that is like an amazing opera that I didn't know before.

Like, it's really the whole world of art is such a universe.

And I sometimes get a glimpse of

how artists are connected with each other.

And I think we wish to be all connected with each other, but then we are in a system that is like very much keeping us apart.