Anne-Marie Baldonado
๐ค SpeakerAppearances Over Time
Podcast Appearances
Well, the creator of this adaptation, Kip Williams, a fellow Australian, when he approached you about taking on this role or these roles, what was your response? I read that you said that if you had seen the show, you might not have agreed to do it. Yes.
As we've mentioned, you play all characters in this show, and you're also the narrator of this story. How do you differentiate between the characters? Do you develop the characters in the same way you would if you were just playing one part in a play, if you were slumming it and only playing one part?
As we've mentioned, you play all characters in this show, and you're also the narrator of this story. How do you differentiate between the characters? Do you develop the characters in the same way you would if you were just playing one part in a play, if you were slumming it and only playing one part?
As we've mentioned, you play all characters in this show, and you're also the narrator of this story. How do you differentiate between the characters? Do you develop the characters in the same way you would if you were just playing one part in a play, if you were slumming it and only playing one part?
And how do you develop these different voices? If you could talk a little bit more about that. And then how do you keep them straight?
And how do you develop these different voices? If you could talk a little bit more about that. And then how do you keep them straight?
And how do you develop these different voices? If you could talk a little bit more about that. And then how do you keep them straight?
Basil is the artist who did the portrait.
Basil is the artist who did the portrait.
Basil is the artist who did the portrait.
Now, in an interview, I heard you say that when you were a kid, you used to love listening to cassettes of poems of Roald Dahl. And you used to memorize them. And I tried to find it online. I couldn't actually find it.
Now, in an interview, I heard you say that when you were a kid, you used to love listening to cassettes of poems of Roald Dahl. And you used to memorize them. And I tried to find it online. I couldn't actually find it.
Now, in an interview, I heard you say that when you were a kid, you used to love listening to cassettes of poems of Roald Dahl. And you used to memorize them. And I tried to find it online. I couldn't actually find it.
But I was thinking that if you memorize those poems and they were read by British actors, listening could have been like great training for you doing The Picture of Dorian Gray, which is a bunch of different flowery British characters.
But I was thinking that if you memorize those poems and they were read by British actors, listening could have been like great training for you doing The Picture of Dorian Gray, which is a bunch of different flowery British characters.
But I was thinking that if you memorize those poems and they were read by British actors, listening could have been like great training for you doing The Picture of Dorian Gray, which is a bunch of different flowery British characters.
Through the help of cameras and recordings of you doing the other parts, you're actually acting opposite yourself. Is it odd to be acting with yourself as a scene partner? And this is like a version of yourself that was recorded a few years ago.
Through the help of cameras and recordings of you doing the other parts, you're actually acting opposite yourself. Is it odd to be acting with yourself as a scene partner? And this is like a version of yourself that was recorded a few years ago.
Through the help of cameras and recordings of you doing the other parts, you're actually acting opposite yourself. Is it odd to be acting with yourself as a scene partner? And this is like a version of yourself that was recorded a few years ago.
Well, the performance is highly choreographed. You have to be very precise. You have to get to a mark or where you're supposed to be in time for you to interact with a recording of that you performed as another character. You say there are sequences where you have like seconds to get lines out. Otherwise, the scene cues will be off.