Anne-Marie Green

Well, thank you. I really, really appreciate it. And I appreciate the listeners having listened to all of our episodes of Postmortem. Postmortem is hosted by me, Anne-Marie Green. Our producer is Annie Cronenberg. Kiara Norbitz is the coordinating producer. Jamie Benson oversees technical production. Alan Pang and Reginald Bazile are our engineers. Mixing by Pedro Rafael Rosado.

Well, thank you. I really, really appreciate it. And I appreciate the listeners having listened to all of our episodes of Postmortem. Postmortem is hosted by me, Anne-Marie Green. Our producer is Annie Cronenberg. Kiara Norbitz is the coordinating producer. Jamie Benson oversees technical production. Alan Pang and Reginald Bazile are our engineers. Mixing by Pedro Rafael Rosado.

Well, thank you. I really, really appreciate it. And I appreciate the listeners having listened to all of our episodes of Postmortem. Postmortem is hosted by me, Anne-Marie Green. Our producer is Annie Cronenberg. Kiara Norbitz is the coordinating producer. Jamie Benson oversees technical production. Alan Pang and Reginald Bazile are our engineers. Mixing by Pedro Rafael Rosado.

Special thanks to 48 Hours executive producer Judy Tigard, Megan Marcus and Ainsley Orsito, who lead the podcasting editorial and operations for CBS, as well as the video editing team for CBS Digital. And if you like the series Postmortem, please rate and review 48 Hours on Apple Podcasts and follow 48 Hours wherever you get your podcasts.

Special thanks to 48 Hours executive producer Judy Tigard, Megan Marcus and Ainsley Orsito, who lead the podcasting editorial and operations for CBS, as well as the video editing team for CBS Digital. And if you like the series Postmortem, please rate and review 48 Hours on Apple Podcasts and follow 48 Hours wherever you get your podcasts.

Special thanks to 48 Hours executive producer Judy Tigard, Megan Marcus and Ainsley Orsito, who lead the podcasting editorial and operations for CBS, as well as the video editing team for CBS Digital. And if you like the series Postmortem, please rate and review 48 Hours on Apple Podcasts and follow 48 Hours wherever you get your podcasts.

You can also listen ad-free with a 48 Hours plus subscription on Apple Podcasts. Thank you so much for listening.

You can also listen ad-free with a 48 Hours plus subscription on Apple Podcasts. Thank you so much for listening.

You can also listen ad-free with a 48 Hours plus subscription on Apple Podcasts. Thank you so much for listening.

Natalie, I don't know about you, but one of the questions that I always have when I watch true crime is, you know, I always want to know, well, how did we get here? How did this person end up like this? So here we had an opportunity to start from the very beginning. And a huge part of the story has to do with Sean Doyle's history of domestic violence.

Natalie, I don't know about you, but one of the questions that I always have when I watch true crime is, you know, I always want to know, well, how did we get here? How did this person end up like this? So here we had an opportunity to start from the very beginning. And a huge part of the story has to do with Sean Doyle's history of domestic violence.

Natalie, I don't know about you, but one of the questions that I always have when I watch true crime is, you know, I always want to know, well, how did we get here? How did this person end up like this? So here we had an opportunity to start from the very beginning. And a huge part of the story has to do with Sean Doyle's history of domestic violence.

And we were lucky enough to have Cece be willing to talk to us. She was his high school girlfriend. And we're able to paint this picture of how his pattern of violence got worse and worse and worse over the years. The challenge, I think, a little bit is that normally we have, you know, one victim and the people who are impacted by them.

And we were lucky enough to have Cece be willing to talk to us. She was his high school girlfriend. And we're able to paint this picture of how his pattern of violence got worse and worse and worse over the years. The challenge, I think, a little bit is that normally we have, you know, one victim and the people who are impacted by them.

And we were lucky enough to have Cece be willing to talk to us. She was his high school girlfriend. And we're able to paint this picture of how his pattern of violence got worse and worse and worse over the years. The challenge, I think, a little bit is that normally we have, you know, one victim and the people who are impacted by them.

In this case, we had three different victims with two victims who survived with different approaches to the trauma. And for Cece, it took decades for her to feel strong enough to talk publicly about what happened to her. And having her come forward, I think, was part of the reason why we thought we need to start with her.

In this case, we had three different victims with two victims who survived with different approaches to the trauma. And for Cece, it took decades for her to feel strong enough to talk publicly about what happened to her. And having her come forward, I think, was part of the reason why we thought we need to start with her.

In this case, we had three different victims with two victims who survived with different approaches to the trauma. And for Cece, it took decades for her to feel strong enough to talk publicly about what happened to her. And having her come forward, I think, was part of the reason why we thought we need to start with her.

It seemed like the best way to tell this story was from the very beginning, which was with Cece.

It seemed like the best way to tell this story was from the very beginning, which was with Cece.