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Annie Clark (St. Vincent)

👤 Person
159 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

Yeah. I mean, children have... They might not have the lexicon to describe the emotions that they feel and the things they're intuiting, but they have all of the same emotions just in this tiny body. And I had... a lot of the anxiety emotion. I have a lot of fear. Um, and so hearing the kind of purge of that fear through Kurt Cobain and nevermind and, um, was liberating.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

Yeah. I mean, children have... They might not have the lexicon to describe the emotions that they feel and the things they're intuiting, but they have all of the same emotions just in this tiny body. And I had... a lot of the anxiety emotion. I have a lot of fear. Um, and so hearing the kind of purge of that fear through Kurt Cobain and nevermind and, um, was liberating.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

It said to me, you're not alone. It said to me, um, we're all in this, like you have a tribe is what it said to me.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

It said to me, you're not alone. It said to me, um, we're all in this, like you have a tribe is what it said to me.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

It said to me, you're not alone. It said to me, um, we're all in this, like you have a tribe is what it said to me.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

That's fucking mootly.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

That's fucking mootly.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

That's fucking mootly.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

Sorry. Absolutely. You just, you go, okay, okay, I'm not alone in this.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

Sorry. Absolutely. You just, you go, okay, okay, I'm not alone in this.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

Sorry. Absolutely. You just, you go, okay, okay, I'm not alone in this.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

I don't know. That's one that I don't know. I don't know where to put that experience. Because everyone wishes that Kurt was there doing that. And I wish that too. So I don't know where to put that experience. It feels very strange to be joyful about it.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

I don't know. That's one that I don't know. I don't know where to put that experience. Because everyone wishes that Kurt was there doing that. And I wish that too. So I don't know where to put that experience. It feels very strange to be joyful about it.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

I don't know. That's one that I don't know. I don't know where to put that experience. Because everyone wishes that Kurt was there doing that. And I wish that too. So I don't know where to put that experience. It feels very strange to be joyful about it.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

There's something in the structure of and building a really solid structure and foundation architecture of a show that to me feels safe. And what I mean by safe is that... Yeah, what is safe? What I mean by safe is that it means that I know that the show is always going to be at a certain level of quality because I've beta tested it, you know, extensively.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

There's something in the structure of and building a really solid structure and foundation architecture of a show that to me feels safe. And what I mean by safe is that... Yeah, what is safe? What I mean by safe is that it means that I know that the show is always going to be at a certain level of quality because I've beta tested it, you know, extensively.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

There's something in the structure of and building a really solid structure and foundation architecture of a show that to me feels safe. And what I mean by safe is that... Yeah, what is safe? What I mean by safe is that it means that I know that the show is always going to be at a certain level of quality because I've beta tested it, you know, extensively.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

And then so that I have this platform on top of that, just like baseline level of quality to experiment with exactly how emotional... it can be. And the thing about it is that performing night after night, it's a little bit like being an actor in that you need to be able to say your lines. You need to remember them. You need to stand in your light.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

And then so that I have this platform on top of that, just like baseline level of quality to experiment with exactly how emotional... it can be. And the thing about it is that performing night after night, it's a little bit like being an actor in that you need to be able to say your lines. You need to remember them. You need to stand in your light.

The New Yorker Radio Hour
From the Archive: St. Vincent’s Seduction

And then so that I have this platform on top of that, just like baseline level of quality to experiment with exactly how emotional... it can be. And the thing about it is that performing night after night, it's a little bit like being an actor in that you need to be able to say your lines. You need to remember them. You need to stand in your light.